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Popular Music in Singapore: Cultural Interactions and the “Inauthenticity” of Singaporean Music
9 references·1 citing·46 second hop
Popular Music in Singapore: Cultural Interactions and the “Inauthenticity” of Singaporean Music (2015)Popular Music in Singapore: Cultural Inte…Sense of Place (2013)Sense of PlaceCritical Interpretation of Hybrid K-Pop: The Global-Local Paradigm of English Mixing in Lyrics (2012)Critical Interpretation of Hy…Popular cultural cringe: language as signifier of authenticity and quality in the Singaporean popular music market (2009)Popular cultural cringe: lang…Global Englishes and Transcultural Flows (2006)Global Englishes and Transcul…In Search of Authenticity* (2005)In Search of Authenticity*Habituation and choice in the process of consumption: a case study of popular music in Singapore (2003)Habituation and choice in the…Japanese popular music in Singapore and the hybridization of Asian music (2002)Japanese popular music in Sin…Popular Music in Singapore: Exploring Local Cultures, Global Resources, and Regional Identities (1996)Popular Music in Singapore: E…POPULAR MUSIC AND A "SENSE OF PLACE'' IN SINGAPORE (1996)POPULAR MUSIC AND A "SENSE OF…A class of its own: Towards a pedagogical framework for singers of Contemporary Commercial Music (CCM) (2019)A class of its own: Towards a…Modernity at Large: Cultural Dimensions of Globalization. (1998)Hybridity, or the Cultural Logic of Globalization (2006)The Location of Culture (2012)Cultural technology (2016)Cultural globalization from the periphery: Translation practices of English-speaking K-pop fans (2019)The Digital Transformation of the Korean Music Industry and the Global Emergence of K-Pop (2020)A New Approach to Consumer Theory (1966)Postmodernism, or, The cultural logic of late capitalism (1991)Postmodernism, or, The Cultural Logic of Late Capitalism (1992)The Presentation of Self in Everyday Life. (1956)On Collective Memory (1992)From the Critics’ Corner: Logic Blending, Discursive Change and Authenticity in a Cultural Production System* (2005)Democracy versus Distinction: A Study of Omnivorousness in Gourmet Food Writing (2007)The Work of Art in the Age of Mechanical Reproduction (2007)A consumer-based model of authenticity: An oxymoron or the foundation of cultural heritage marketing? (2009)The Research Act: A Theoretical Introduction to Sociological Methods (1979)Music and its multitude of meanings: Exploring what makes brand placements in music videos authentic (2017)Where Got Singapore Sound? Representing National Identity in Music: Conundrums and Alternatives (2018)Minahs and minority celebrity: parody youtube influencers and minority politics in Singapore (2019)The Condition of Postmodernity (1991)Mapping the futures. Local cultures, global change (1993)Imagined Communities: Reflections on the Origin and Spread of Nationalism (1994)Music and the Politics of Sound: Nationalism, Citizenship, and Auditory Space (2000)Research, Performance, and Doing Human Geography: Some Reflections on the Diary-Photograph, Diary-Interview Method (2003)The Art of Doing (Geographies of) Music (2007)Handbook of Theory and Research for the Sociology of Education. (1987)Five Misunderstandings About Case-Study Research (2004)Using thematic analysis in psychology (2006)The Authenticity of Heritage Sites, Tourists’ Quest for Existential Authenticity, and Destination Loyalty (2016)Role of trust, emotions and event attachment on residents' attitudes toward tourism (2017)Explaining conative destination image through cognitive and affective destination image and emotional solidarity with residents (2020)Glocalization: Time-Space and Homogeneity-Heterogeneity (1995)The Global Jukebox: The International Music Industry (1997)The Encyclopedia of Japanese Pop Culture. (1998)Culture and disaster risk reduction: Lessons and opportunities (2012)‘Transatlantic connection’: K-pop and K-drama fandom in Spain and Latin America (2015)Popular Music in Southeast Asia (2017)Cognitive Conceptions of Learning (1986)Qualitative Research and Evaluation Methods (3rd ed.) (2003)Interviewing as qualitative research a guide for researchers in education and the social sciences (2006)Space and Place: The Perspective of Experience. (1978)Space and Place: The Perspective of Experience (1979)A Global Sense of Place (1991)Metrolingualism: fixity, fluidity and language in flux (2009)The sociolinguistics of globalization (2011)What Are We Seeking to Sustain Through Culturally Sustaining Pedagogy? A Loving Critique Forward (2014)
this work references cited by second hop

References

  • 2006Global Englishes and Transcultural Flows1,680 cited
  • 2005In Search of Authenticity*563 cited
  • 2013Sense of Place449 cited
  • 2012Critical Interpretation of Hybrid K-Pop: The Global-Local Paradigm of English Mixing in Lyrics77 cited
  • 1996Popular Music in Singapore: Exploring Local Cultures, Global Resources, and Regional Identities55 cited
  • 2002Japanese popular music in Singapore and the hybridization of Asian music26 cited
  • 2009Popular cultural cringe: language as signifier of authenticity and quality in the Singaporean popular music market16 cited
  • 1996POPULAR MUSIC AND A "SENSE OF PLACE'' IN SINGAPORE11 cited
  • 2003Habituation and choice in the process of consumption: a case study of popular music in Singapore4 cited

Cited by

  • 2019A class of its own: Towards a pedagogical framework for singers of Contemporary Commercial Music (CCM)3 cited

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