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Keeping up Appearances: Aesthetic Labour in the Fashion Modelling Industries of London and New York
16 references·16 citing·28 second hopsampled
Keeping up Appearances: Aesthetic Labour in the Fashion Modelling Industries of London and New York (2006)Keeping up Appearances: Aesthetic Labour …Modernity and Self-Identity: Self and Society in the Late Modern Age (2020)Modernity and Self-Identity: …Phenomenology of Perception (2013)Phenomenology of PerceptionThe corrosion of character: the personal consequences of work in the new capitalism (1999)The corrosion of character: t…Powers of Freedom (1999)Powers of FreedomConsumer culture and modernity (1997)Consumer culture and modernityEmbodiment and Experience: The Existential Ground of Culture and Self (1996)Embodiment and Experience: Th…Risk Society: Towards a New Modernity (1995)Risk Society: Towards a New M…Reflexive modernization: politics, tradition and aesthetics in the modern social order (1995)Reflexive modernization: poli…Risk Society, Towards a New Modernity (1994)Risk Society, Towards a New M…Modernity and self-identity: self and society in the late modern age (1992)Modernity and self-identity: …Governing the Soul: The Shaping of the Private Self. (1991)Governing the Soul: The Shapi…Phenomenology of Perception (1982)Phenomenology of PerceptionThe Culture of Narcissism: American Life in an Age of Diminishing Expectations (1979)The Culture of Narcissism: Am…The Coming of the Post-Industrial Society (1976)The Coming of the Post-Indust…The Coming of Post-Industrial Society (1974)The Coming of Post-Industrial…Techniques of the body ∗ (1973)Techniques of the body ∗Parcours professionnels de musiciennes migrantes, de la théorie à l’expérience. À propos du colloque Femmes musiciennes du monde tenu les 26 et 27 novembre 2021 au Centre des musiciens du monde (Montréal) (2022)Parcours professionnels de mu…“A slippery slope”: a scoping review of the self-injection of unlicensed oils and fillers as body enhancement (2021)“A slippery slope”: a scoping…Academics’ dress: gender and aesthetic labour in the Australian university (2020)Academics’ dress: gender and …Women's self‐presentation and the transition from classroom to workplace (2019)Women's self‐presentation and…Does the body modified appearance of front-line employees matter to hotel guests? (2018)Does the body modified appear…The Risky Business of Postfeminist Beauty (2017)The Risky Business of Postfem…The Dynamics of Professional Prestige in Fashion Industries of Europe and the US: Network Approach (2017)The Dynamics of Professional …Results of a strategic science study to inform policies targeting extreme thinness standards in the fashion industry (2017)Results of a strategic scienc…Fashioning Gender: The Gendered Organization of Cultural Work (2017)Fashioning Gender: The Gender…Creativity at work: the production of work for sale by brand ambassadors (2017)Creativity at work: the produ…Body art as branded labour: At the intersection of employee selection and relationship marketing (2017)Body art as branded labour: A…The effect of foreign accent on employability: a study of the aural dimensions of aesthetic labour in customer-facing and non-customer-facing jobs (2016)The effect of foreign accent …Once You Are In You Might Need to Get Out: Adaptation and Adaptability in Volatile Labor Markets—the Case of Musical Actors (2014)Once You Are In You Might Nee…Aesthetic Labor for the Sociologies of Work, Gender, and Beauty (2014)Aesthetic Labor for the Socio…Workers, Managers, and Customers (2010)Workers, Managers, and Custom…Intersectionality in the Emotional Proletariat (2008)Intersectionality in the Emot…A PUBLIC MANAGEMENT FOR ALL SEASONS? 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References

  • 2020Modernity and Self-Identity: Self and Society in the Late Modern Age13,417 cited
  • 1994Risk Society, Towards a New Modernity12,551 cited
  • 1982Phenomenology of Perception11,940 cited
  • 1999Powers of Freedom6,352 cited
  • 1992Modernity and self-identity: self and society in the late modern age5,633 cited
  • 2013Phenomenology of Perception4,856 cited
  • 1995Risk Society: Towards a New Modernity3,065 cited
  • 1995Reflexive modernization: politics, tradition and aesthetics in the modern social order2,870 cited
  • 1976The Coming of the Post-Industrial Society2,777 cited
  • 1974The Coming of Post-Industrial Society2,772 cited
  • 1999The corrosion of character: the personal consequences of work in the new capitalism2,539 cited
  • 1973Techniques of the body ∗1,989 cited
  • 1991Governing the Soul: The Shaping of the Private Self.1,772 cited
  • 1979The Culture of Narcissism: American Life in an Age of Diminishing Expectations1,593 cited
  • 1997Consumer culture and modernity1,444 cited
  • 1996Embodiment and Experience: The Existential Ground of Culture and Self

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1,274 cited

Cited by

  • 2014Aesthetic Labor for the Sociologies of Work, Gender, and Beauty191 cited
  • 2010Workers, Managers, and Customers168 cited
  • 2016The effect of foreign accent on employability: a study of the aural dimensions of aesthetic labour in customer-facing and non-customer-facing jobs126 cited
  • 2017Results of a strategic science study to inform policies targeting extreme thinness standards in the fashion industry92 cited
  • 2017Body art as branded labour: At the intersection of employee selection and relationship marketing56 cited
  • 2008Intersectionality in the Emotional Proletariat33 cited
  • 2014Once You Are In You Might Need to Get Out: Adaptation and Adaptability in Volatile Labor Markets—the Case of Musical Actors30 cited
  • 2017The Risky Business of Postfeminist Beauty23 cited
  • 2017Fashioning Gender: The Gendered Organization of Cultural Work22 cited
  • 2020Academics’ dress: gender and aesthetic labour in the Australian university22 cited
  • 2019Women's self‐presentation and the transition from classroom to workplace13 cited
  • 2018Does the body modified appearance of front-line employees matter to hotel guests?12 cited
  • 2021“A slippery slope”: a scoping review of the self-injection of unlicensed oils and fillers as body enhancement6 cited
  • 2017Creativity at work: the production of work for sale by brand ambassadors5 cited
  • 2022Parcours professionnels de musiciennes migrantes, de la théorie à l’expérience. À propos du colloque Femmes musiciennes du monde tenu les 26 et 27 novembre 2021 au Centre des musiciens du monde (Montréal)4 cited
  • 2017The Dynamics of Professional Prestige in Fashion Industries of Europe and the US: Network Approach2 cited