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Engaging Students With A Contemporary Music – Minimalism – through Composing Activities: Teachers’ Approaches, Strategies and Roles
16 references·0 citing·26 second hop
Engaging Students With A Contemporary Music – Minimalism – through Composing Activities: Teachers’ Approaches, Strategies and Roles (2003)Engaging Students With A Contemporary Mus…Tricks of the Trade (2004)Tricks of the TradeLearning to Teach in Higher Education (2002)Learning to Teach in Higher E…Making progress with composing (2000)Making progress with composingExamining experiential differences between improvisation and composition in children's music-making (2000)Examining experiential differ…On Writing Qualitative Research: Living by Words (1998)On Writing Qualitative Resear…Task Design and Experience in Composition (1995)Task Design and Experience in…Research on creative thinking in music: the assessment literature (1992)Research on creative thinking…Learning to Teach in Higher Education (1992)Learning to Teach in Higher E…Qualitative research: Analysis types and software tools (1991)Qualitative research: Analysi…Qualitative research: analysis types and software tools (1990)Qualitative research: analysi…Noise... The Political Economy of Music (1988)Noise... The Political Econom…Music and Society: The Politics of Composition, Performance and Reception. (1988)Music and Society: The Politi…Say it till a song comes (reflections on songs invented by children 3–13) (1986)Say it till a song comes (ref…Noise: The Political Economy of Music (1986)Noise: The Political Economy …Music-Society-Education (1985)Music-Society-EducationEthnography and Qualitative Design in Educational Research (1984)Ethnography and Qualitative D…Nature of the Physical World (1958)The Structure of Scientific Revolutions (1963)The Ascent of Man (1973)Popular music education in and for itself, and for ‘other’ music: current research in the classroom (2006)The impact of music festival attendance on young people’s psychological and social well-being (2010)Class, Control, and Classical Music (2019)Dilemmas in qualitative health research (2000)Qualitative research: standards, challenges, and guidelines (2001)Sample Size and Saturation in PhD Studies Using Qualitative Interviews (2009)A Guide to Conducting Consensual Qualitative Research (1997)Qualitative Analysis on Stage: Making the Research Process More Public (2002)Researching youth culture and popular music: a methodological critique (2002)The mp3 as cultural artifact (2006)Classification as Culture: Types and Trajectories of Music Genres (2008)Ritual and Its Consequences (2008)Cultural entrepreneurs, cultural entrepreneurship: Music producers mobilising and converting Bourdieu's alternative capitals (2012)A Sweet Lullaby for World Music (2000)Doing anthropology in sound (2004)How Many Ways Can We Define Online Learning? A Systematic Literature Review of Definitions of Online Learning (1988-2018) (2019)University Students' Perceptions of the Learning Environment and Academic Outcomes: Implications for theory and practice (2002)Facilitating Cognitive Presence in Online Learning: Interaction Is Not Enough (2005)The ‘digital natives’ debate: A critical review of the evidence (2008)The Theory and Practice of Online Learning (2008)Constructing Expert Knowledge: A Case Study of a Top-level Professional Soccer Coach (2003)A Practical Guide to Collaborative Qualitative Data Analysis (2017)Is thematic analysis used well in health psychology? A critical review of published research, with recommendations for quality practice and reporting (2023)
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References

  • 1984Ethnography and Qualitative Design in Educational Research4,275 cited
  • 1990Qualitative research: analysis types and software tools3,243 cited
  • 2002Learning to Teach in Higher Education2,247 cited
  • 1992Learning to Teach in Higher Education2,181 cited
  • 1991Qualitative research: Analysis types and software tools1,931 cited
  • 1986Noise: The Political Economy of Music1,617 cited
  • 1998On Writing Qualitative Research: Living by Words773 cited
  • 1988Noise... The Political Economy of Music600 cited
  • 1988Music and Society: The Politics of Composition, Performance and Reception.596 cited
  • 1985Music-Society-Education294 cited
  • 2004Tricks of the Trade288 cited
  • 2000Examining experiential differences between improvisation and composition in children's music-making80 cited
  • 1986Say it till a song comes (reflections on songs invented by children 3–13)72 cited
  • 1992Research on creative thinking in music: the assessment literature61 cited
  • 2000Making progress with composing46 cited
  • 1995Task Design and Experience in Composition

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