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Performers in the second half of this century face an intensified confontation with physical expression in theatre. The question of how, or even whether, movement can express the ‘inner life’ of an actor/character is always present in the work of groups or individuals who wish to design innovative and physicalized performances.
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Stored only when both papers are in the corpus — 4 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
Imported from OpenAlex (CC0) — nothing here is generated.