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Theatrical Movement and the Mind-Body Question
12 references·0 citing·28 second hop
Theatrical Movement and the Mind-Body Question (1995)Theatrical Movement and the Mind-Body Que…Meyerhold on Theatre (2016)Meyerhold on TheatreTowards a Poor Theatre (2012)Towards a Poor TheatreA Dictionary of Theatre Anthropology (2011)A Dictionary of Theatre Anthr…The emotions. (2005)The emotions.The Theatre of Grotowski (1985)The Theatre of GrotowskiThe Dilated Body: on the Energies of Acting (1985)The Dilated Body: on the Ener…Zen and the Actor (1976)Zen and the ActorCreating a Role (1957)Creating a RoleThe mastery of movement on the stage (1950)The mastery of movement on th…Building a Character (1949)Building a CharacterAn Actor Prepares (1936)An Actor PreparesRhythm, Music and Education (1921)Rhythm, Music and EducationDiagramming Practice and Performance (2005)Music, rhythm, rise time perception and developmental dyslexia: Perception of musical meter predicts reading and phonology (2010)Smart environment architecture for emotion detection and regulation (2016)The prodigal son'sRussian roots: Avant‐garde and icons (1981)Effector patterns of basic emotions: a psychophysiological method for training actors (1987)The stagecraft and performance of Roman comedy (2007)Intentional communication in the chimpanzee: The development of deception (1979)Game object model version II: a theoretical framework for educational game development (2006)Enacting the ‘true self’: Towards a theory of embodied authentic leadership (2009)A paradigm for performance studies (1987)On dramatic reality and its therapeutic function in drama therapy (2006)The Cambridge Introduction to Theatre Studies (2008)The Emerging Field of Emotion Regulation: An Integrative Review (1998)Emotional regulation in the workplace: A new way to conceptualize emotional labor. (2000)Both of Us Disgusted in My Insula (2003)Motor imagery: Perception or action? (1995)Cultivating the Improvisational in Psychoanalytic Treatment (2001)Cultural Anthropology and Theatre Historiography: Notes on a Methodological Rapprochement (1994)Stanislavsky’s quest for the Ideal Actor: the System as Socratic encounter (2016)Theatre as Co-Creative Space and as Inspiration for Higher Education (2017)The affective neuroscience of consciousness: higher-order syntactic thoughts, dual routes to emotion and action, and consciousness (2007)Implicit Analysis of Perceptual Multimedia Experience Based on Physiological Response: A Review (2016)Intercultural Research in the Performing Arts (1992)The Cambridge introduction to theatre directing (2014)The Drama Spiral: A Decision-Making Model for Safe, Ethical, and Flexible Practice when Incorporating Personal Stories in Applied Theatre and Performance (2017)Movement and space: Andamanese cartography (1990)Coding gestural behavior with the NEUROGES-ELAN system (2009)Bodily Communication of Emotion: Evidence for Extrafacial Behavioral Expressions and Available Coding Systems (2018)
this work references cited by second hop

References

  • 1936An Actor Prepares516 cited
  • 2012Towards a Poor Theatre497 cited
  • 1921Rhythm, Music and Education299 cited
  • 1949Building a Character166 cited
  • 1957Creating a Role131 cited
  • 2016Meyerhold on Theatre93 cited
  • 1985The Theatre of Grotowski82 cited
  • 2005The emotions.70 cited
  • 1950The mastery of movement on the stage48 cited
  • 2011A Dictionary of Theatre Anthropology24 cited
  • 1985The Dilated Body: on the Energies of Acting6 cited
  • 1976Zen and the Actor5 cited

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