References

• 1999An initial Raman microscopic investigation of prehistoric rock art in caves of the Quercy District, S.W. France133 cited
• 2005In situ analysis of mediaeval wall paintings: a challenge for mobile Raman spectroscopy104 cited
• 2002An extensive non‐destructive and micro‐spectroscopic study of two post‐Byzantine overpainted icons of the 16th century89 cited
• 2008Complementary use of the Raman and XRF techniques for non-destructive analysis of historical paint layers78 cited
• 2003Raman microscopy of Greek icons: identification of unusual pigments70 cited
• 2004Raman spectroscopic analysis of pigments from dynastic Egyptian funerary artefacts70 cited
• 2004Identification of nineteenth century blue and green pigments by in situ x‐ray fluorescence and micro‐Raman spectroscopy69 cited
• 2006Non-invasive and non-destructive micro-XRF and micro-Raman analysis of a decorative wallpaper from the beginning of the 19th century63 cited
• 2005Study on the technique of the Roman age mural paintings by micro-XRF with Polycapillary Conic Collimator and micro-Raman analyses62 cited
• 2008A remote controlled XRF system for field analysis of cultural heritage objects62 cited
• 2006Introduction to Raman microscopy of prehistoric rock paintings from the Sierra de las Cuerdas, Cuenca, Spain56 cited
• 2009In situ investigations of vault paintings in the Antwerp cathedral55 cited
• 2001Spectroscopic Analysis of Pigments and Binding Media of Polychromes by the Combination of Optical Laser-Based and Vibrational Techniques