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The so-called ‘flattened seventh’ in rock
5 references·16 citing·35 second hop
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References

  • 1993Running with the devil: power, gender, and madness in heavy metal music942 cited
  • 1990Studying Popular Music606 cited
  • 1991Studying Popular Music550 cited
  • 1982Analysing popular music: theory, method and practice376 cited
  • 1988A Guide to Musical Analysis341 cited

Cited by

  • 2007The melodic-harmonic ‘divorce’ in rock114 cited
  • 2004(Ac)cumulative Form in Pop-Rock Music101 cited
  • 2015Counterpoint in Rock Music: Unpacking the “Melodic-Harmonic Divorce”74 cited
  • 2017Fragile, Emergent, and Absent Tonics in Pop and Rock Songs63 cited
  • 2008The Music of Joni Mitchell61 cited
  • 2013Compositional Data Analysis of Harmonic Structures in Popular Music44 cited
  • 2011The Cadential IV in Rock43 cited
  • 2016The Cambridge Companion to the Singer-Songwriter39 cited
  • 2003"Domestication" of Blue Notes in the Beatles' Songs39 cited
  • 2009A Hermeneutics of Spatialization for Recorded Song32 cited
  • 2017Rock Harmony Reconsidered: Tonal, Modal and Contrapuntal Voice‐Leading Systems in Radiohead

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30 cited
  • 2016Harmonic Function in Rock Music26 cited
  • 2000Exploring modal subversions in alternative music25 cited
  • 2000Spooning Good Singing Gum: Meaning, Association, and Interpretation in Rock Music24 cited
  • 2019The Harmonic-Bass Divorce in Rock20 cited
  • 2011Scalar Shift in Popular Music18 cited