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A combination of one-to-one teaching and small group teaching in higher music education in Norway – a good model for teaching?
16 references·10 citing·30 second hop
A combination of one-to-one teaching and small group teaching in higher music education in Norway – a good model for teaching? (2014)A combination of one-to-one teaching and …Learning Together and Alone (2021)Learning Together and AloneSupporting conservatoire students towards professional integration: one-to-one tuition and the potential of mentoring (2012)Supporting conservatoire stud…One-to-one tuition in a conservatoire: the perceptions of instrumental and vocal students (2009)One-to-one tuition in a conse…Musical expression: an observational study of instrumental teaching (2008)Musical expression: an observ…One-to-one tuition in a conservatoire: the perceptions of instrumental and vocal teachers (2007)One-to-one tuition in a conse…One-to-one teaching as cultural practice: two case studies from an academy of music (2007)One-to-one teaching as cultur…The New Handbook Of Research On Music Teaching And Learning (2004)The New Handbook Of Research …Areas of Study and Teaching Strategies in Instrumental Teaching: a case study research project (2003)Areas of Study and Teaching S…Student learning in higher instrumental education: who is responsible? 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References

  • 1994Situated Learning: Legitimate Peripheral Participation.39,454 cited
  • 1991Situated Learning33,773 cited
  • 1987Educating the reflective practitioner11,394 cited
  • 1996The Culture of Education6,227 cited
  • 1998Learning Together and Alone: Cooperative, Competitive, and Individualistic Learning2,598 cited
  • 2021Learning Together and Alone1,308 cited
  • 1992Handbook of Research on Music Teaching and Learning650 cited
  • 2004The New Handbook Of Research On Music Teaching And Learning554 cited
  • 1988Music talent, and performance: a conservatory cultural system374 cited
  • 2009One-to-one tuition in a conservatoire: the perceptions of instrumental and vocal students255 cited
  • 2000Student learning in higher instrumental education: who is responsible?195 cited
  • 2007One-to-one tuition in a conservatoire: the perceptions of instrumental and vocal teachers168 cited
  • 2012Supporting conservatoire students towards professional integration: one-to-one tuition and the potential of mentoring123 cited
  • 2008Musical expression: an observational study of instrumental teaching115 cited
  • 2007One-to-one teaching as cultural practice: two case studies from an academy of music

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111 cited
  • 2003Areas of Study and Teaching Strategies in Instrumental Teaching: a case study research project107 cited
  • Cited by

    • 2020The value of collaborative learning for music practice in higher education36 cited
    • 2021Let’s play together: teacher perspectives on collaborative chamber music instruction29 cited
    • 2021Classical soloists’ life histories and the music conservatoire18 cited
    • 2019Conservatoire leaders’ observations and perceptions on curriculum reform12 cited
    • 2023A systematic literature review of collaborative learning in conservatoire education11 cited
    • 2022Investigating one-to-one instrumental music lessons in relation to a training programme on Paul Harris’ simultaneous learning4 cited
    • 2023Pre-college piano teaching practice in China and the United States: An international comparative study from the piano teachers’ perspectives4 cited
    • 2023Peer tutoring as a tool for developing the intonation of violin and viola students in elementary music education3 cited
    • 2025Difference in instrumental tuition in higher music education: towards an analytical framework3 cited
    • 2025Exploring Nordic approaches to advanced instrumental music pedagogy: insights from ethnographic fieldwork2 cited