Narratives, Space and Drama: Essential Spatial Aspects Involved in the Performance and Reception of Oral Narrative

Abstract

In the past, oral narrative tended to be regarded as a two-dimensional phenomenon largely confined to the form of the spoken or (later) printed word.Over the last twenty years, however, oral narratives have gradually gained "thickness" in the eyes of folklore scholars who have increasingly demanded that more attention be paid to the social and personal contexts that gave rise to these narratives.This present article reviews the ways in which the understanding of oral narrative depends on its physical, mental and social surroundings, noting also how the process is actually reciprocal, since while taking much from their surroundings, narratives are also capable of subtly changing the contexts that gave birth to them.Working out from the three-dimensional nature of the oral narrative performance, it is argued that much could be gained from analysing oral narratives as pieces of theatre or dramatic performances rather than as pieces of text.

Cite this work

No public copy is stored for this record, so only the metadata is cited.

Stored only when both papers are in the corpus — 25 citations exist upstream.

Papers that cite the same references — the relational fallback while embeddings are still backfilling.