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‘The constant companion of man’: Separate Development, Radio Bantu and music
6 references·12 citing·37 second hop
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this work references cited by second hop

References

  • 2001The New Grove dictionary of music and musicians2,583 cited
  • 1986Noise: The Political Economy of Music1,617 cited
  • 2021The Closing of the American Mind1,609 cited
  • 1981The New Grove Dictionary of Music and Musicians1,234 cited
  • 1988Noise... The Political Economy of Music600 cited
  • 1987In Township Tonight! South Africa's Black City Music and Theatre292 cited

Cited by

  • 2021Not ‘Deep’ but Still IsiXhosa:88 cited
  • 1998Mirror, Mediator, and Prophet: The Music Indaba of Late-Apartheid South Africa59 cited
  • 2004The class and colour of tone: An essay on the social history of vocal timbre45 cited
  • 2004'Kwaitofabulous': The study of a South African urban genre33 cited
  • 1999His Master's Voice? ExploringQawwaliand ‘Gramophone Culture’ in South Asia21 cited
  • 2001Music, radio and the record business in Zimbabwe today19 cited
  • 1997Music Education in South Africa – Striving for Unity and Diversity9 cited
  • 2019Deobandis Abroad: Sufism, Ethics and Polemics in a Global Islamic Movement9 cited
  • 2020Against Populism: Music, Classification, Genre7 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

1998
Catalyst or Detonator? Local Music Quotas and the Current South African Music ‘Explosion’
7 cited
  • 2009The influence of early Apartheid intellectualisation on twentieth-century Afrikaans music historiography6 cited
  • 2023Indigenous Influences on Popular Venda Music4 cited