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The powers that be: Processes of control in ‘crew scene hardcore’
16 references·1 citing·29 second hop
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References

  • 1956The Presentation of Self in Everyday Life.25,991 cited
  • 2018Distinction: A Social Critique of the Judgement of Taste*20,290 cited
  • 2023The Presentation of Self in Everyday Life17,564 cited
  • 1975Visual Pleasure and Narrative Cinema8,669 cited
  • 1971Analyzing social settings : a guide to qualitative observation and analysis5,634 cited
  • 1996The Field of Cultural Production: Essays on Art and Literature4,672 cited
  • 1950The Sociology of Georg Simmel4,520 cited
  • 1968Illuminations: Essays and Reflections3,839 cited
  • 2007The Work of Art in the Age of Mechanical Reproduction3,820 cited
  • 1995Subculture: The Meaning of Style3,813 cited
  • 1981Subculture: The Meaning of Style.3,479 cited
  • 1950The Sociology of Georg Simmel.2,630 cited
  • 1976Resistance Through Rituals: Youth Subcultures in Post-War Britain2,436 cited
  • 1990Throwing like a girl and other essays in feminist philosophy and social theory1,223 cited
  • 1999Defacement1,076 cited
  • 2003The post-subcultures reader588 cited

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Cited by

  • 2019‘We’re Just Normal Dudes’: Hegemonic Masculinity, Australian Identity, and Parkway Drive3 cited