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Sight and Song : Transparent Translations and a Manifesto for the Observer
14 references·3 citing·29 second hop
Sight and Song : Transparent Translations and a Manifesto for the Observer (2000)Sight and Song : Transparent Translations…Theory of Colours (2020)Theory of ColoursTHE RENAISSANCE: STUDIES IN ART AND POETRY (2019)THE RENAISSANCE: STUDIES IN A…The Four Fundamental Concepts of Psycho-Analysis (2018)The Four Fundamental Concepts…The Function of Criticism at the Present Time (2017)The Function of Criticism at …The Works of John Ruskin (2010)The Works of John RuskinThe Return of the Real : The Avant-Garde at the End of the Century (1996)The Return of the Real : The …Cultural Babbage: Technology, Time and Invention (1996)Cultural Babbage: Technology,…Techniques of the observer: on vision and modernity in the nineteenth century (1991)Techniques of the observer: o…Masculine desire: the sexual politics of Victorian aestheticism (1991)Masculine desire: the sexual …Techniques of the Observer (1988)Techniques of the ObserverRuskin and the art of the beholder (1982)Ruskin and the art of the beh…Transparencies on Film (1981)Transparencies on FilmIntroduction to Adorno, "Transparencies on Film" (1966) (1981)Introduction to Adorno, "Tran…The Aesthetic and Critical Theories of John Ruskin (1973)The Aesthetic and Critical Th…Embodiment and Touch (2019)Embodiment and Touch“Copied without loss”: Michael Field's Poetic Influence on the Work of W.B. Yeats (2016)“Copied without loss”: Michae…A VISUAL FIELD: MICHAEL FIELD AND THE GAZE (2006)A VISUAL FIELD: MICHAEL FIELD…Are there nontrivial constraints on colour categorization? (1997)A study of colour emotion and colour preference. Part III: Colour preference modeling (2004)Aesthetic response to color combinations: preference, harmony, and similarity (2010)The Imaginary Museum of Musical Works (1994)Catholicism, Sexual Deviance, and Victorian Gothic Culture (2006)Time and the Moment in Victorian Literature and Society (2011)Cities without modernity, cities with magic (1997)Plasticine and Valves: Industry, Instrumentation and the Emergence of Nuclear Physics (1998)There Are No Old Media (2016)Alternative Perspectives on the Student Experience: Alienation and engagement (2001)Language and Sexuality (2003)No one is perfect: The limits of transparency and an ethic for ‘intelligent’ accountability (2009)Poststructural feminism in education: An overview (2000)Surviving Images: Holocaust Photographs and the Work of Postmemory (2001)Deleuzian Concepts for Education: The subject undone (2004)Albert Smith, the Alpine Club, and the Invention of Mountaineering in Mid-Victorian Britain (1995)Reading the Tangible Past: British Tourism, Collecting, and Memory after Waterloo (2000)Satire in an Age of Realism (2010)An anthropologist underwater: Immersive soundscapes, submarine cyborgs, and transductive ethnography (2007)The Quadruple Object (2011)Archaeology and the Senses: Human Experience, Memory, and Affect (2014)Seeing without knowing: Limitations of the transparency ideal and its application to algorithmic accountability (2016)A materialist theory of the mind (2017)Show/down time: “Race,”; gender, sexuality, and popular culture (1994)Academic Viagra: The Rise of American Masculinity Studies (2000)Sexualities in Victorian Britain (2023)Not by discoveries alone: The centennial of Paul Ehrenfest (1981)GEORGE ELIOT, THE POETESS AS PROPHET (2003)A Companion to translation studies (2007)
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References

  • 2018The Four Fundamental Concepts of Psycho-Analysis3,917 cited
  • 1991Techniques of the observer: on vision and modernity in the nineteenth century2,953 cited
  • 1996The Return of the Real : The Avant-Garde at the End of the Century838 cited
  • 2019THE RENAISSANCE: STUDIES IN ART AND POETRY709 cited
  • 1988Techniques of the Observer456 cited
  • 1991Masculine desire: the sexual politics of Victorian aestheticism401 cited
  • 2010The Works of John Ruskin271 cited
  • 2017The Function of Criticism at the Present Time185 cited
  • 2020Theory of Colours156 cited
  • 1996Cultural Babbage: Technology, Time and Invention88 cited
  • 1973The Aesthetic and Critical Theories of John Ruskin72 cited
  • 1982Ruskin and the art of the beholder59 cited
  • 1981Introduction to Adorno, "Transparencies on Film" (1966)56 cited
  • 1981Transparencies on Film24 cited

Cited by

  • 2016“Copied without loss”: Michael Field's Poetic Influence on the Work of W.B. Yeats27 cited
  • 2006A VISUAL FIELD: MICHAEL FIELD AND THE GAZE

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15 cited
  • 2019Embodiment and Touch0 cited