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Networks, cultural capital and creative labour in the British independent television industry
16 references·16 citing·22 second hopsampled
Networks, cultural capital and creative labour in the British independent television industry (2011)Networks, cultural capital and creative l…Distinction: A Social Critique of the Judgement of Taste* (2018)Distinction: A Social Critiqu…The New Spirit of Capitalism (2005)The New Spirit of CapitalismThe New Spirit of Capitalism (2005)The New Spirit of CapitalismThe Forms of Capital (2002)The Forms of CapitalThe Global City (2001)The Global CityPowers of freedom: reframing political thought (2000)Powers of freedom: reframing …Bowling alone: the collapse and revival of American community (2000)Bowling alone: the collapse a…Bowling alone (2000)Bowling alonePowers of Freedom (1999)Powers of FreedomSocial Capital, Intellectual Capital, and the Organizational Advantage (1998)Social Capital, Intellectual …Structural Holes: The Social Structure of Competition (1995)Structural Holes: The Social …An Invitation to Reflexive Sociology. (1993)An Invitation to Reflexive So…An Invitation of Reflexive Sociology (1993)An Invitation of Reflexive So…The Global City (1991)The Global CityDistinction: A Social Critique of the Judgement of Taste. (1985)Distinction: A Social Critiqu…The Strength of Weak Ties (1973)The Strength of Weak TiesEvolution of innovation networks in industrial clusters and multidimensional proximity: A case of Chinese cultural clusters (2022)Evolution of innovation netwo…Precarious work and creative placemaking: freelance labour in Bristol (2021)Precarious work and creative …Devalued women, valued men: motherhood, class and neoliberal feminism in the creative media industries (2019)Devalued women, valued men: m…Be creative for the state: Creative workers in Chinese state-owned cultural enterprises (2018)Be creative for the state: Cr…Creative work and affect: Social, political and fantasmatic dynamics in the labour of musicians (2017)Creative work and affect: Soc…Macho, mobile and resilient? How workers with impairments are doubly disabled in project-based film and television work (2016)Macho, mobile and resilient? …Bourdieu’s non-material forms of capital: Implications for start-up policy (2016)Bourdieu’s non-material forms…Digital work (2015)Digital workCreative work careers: pathways and portfolios for the creative economy (2015)Creative work careers: pathwa…Creative labour and graduate outcomes: implications for higher education and cultural policy (2015)Creative labour and graduate …Creative graduate pathways within and beyond the creative industries (2015)Creative graduate pathways wi…‘Men own television’: why women leave media work (2014)‘Men own television’: why wom…Making the Intern Economy: Role and Career Challenges of the Music Industry Intern (2013)Making the Intern Economy: Ro…Cultural workers in-the-making (2013)Cultural workers in-the-makingSocial Capital and Networks in Film and TV: Jobs for the Boys? (2012)Social Capital and Networks i…Becoming employable students and ‘ideal’ creative workers: exclusion and inequality in higher education work placements (2012)Becoming employable students …Firm Resources and Sustained Competitive Advantage (1991)Knowledge Management: An Organizational Capabilities Perspective (2001)Absorptive Capacity: A Review, Reconceptualization, and Extension (2002)Firm resources and sustained competitive advantage (2004)The Psychology of Interpersonal Relations. (1958)The Interpersonal Theory of Psychiatry (2013)Diffusion of Innovations 1 (2019)Talking science: language, learning, and values (1991)What Is Agency? (1998)The Field behind the Screen: Using Netnography for Marketing Research in Online Communities (2002)Social Capital: Prospects for a New Concept (2002)The Benefits of Facebook “Friends:” Social Capital and College Students’ Use of Online Social Network Sites (2007)Social Relationships and Mortality Risk: A Meta-analytic Review (2010)The weirdest people in the world? (2010)The Sources and Consequences of Embeddedness for the Economic Performance of Organizations: The Network Effect (1996)Social Capital: Implications for Development Theory, Research, and Policy (2000)Social Capital: Its Origins and Applications in Modern Sociology (1998)Social Skill and the Theory of Fields (2001)The Capitalocene, Part I: on the nature and origins of our ecological crisis (2017)Notes on the theory of the actor-network: Ordering, strategy, and heterogeneity (1992)Consumption and Theories of Practice (2005)Income inequality and population health: A review and explanation of the evidence (2005)
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References

  • 1973The Strength of Weak Ties40,446 cited
  • 2000Bowling alone: the collapse and revival of American community28,790 cited
  • 2018Distinction: A Social Critique of the Judgement of Taste*20,290 cited
  • 2000Bowling alone16,841 cited
  • 1985Distinction: A Social Critique of the Judgement of Taste.14,091 cited
  • 2002The Forms of Capital13,914 cited
  • 1998Social Capital, Intellectual Capital, and the Organizational Advantage13,741 cited
  • 1993An Invitation to Reflexive Sociology.9,324 cited
  • 1993An Invitation of Reflexive Sociology8,374 cited
  • 1995Structural Holes: The Social Structure of Competition7,853 cited
  • 1999Powers of Freedom6,352 cited
  • 2000Powers of freedom: reframing political thought5,663 cited
  • 1991The Global City5,380 cited
  • 2001The Global City4,602 cited
  • 2005The New Spirit of Capitalism3,037 cited
  • 2005The New Spirit of Capitalism1,677 cited

Cited by

  • 2015

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Digital work
307 cited
  • 2012Becoming employable students and ‘ideal’ creative workers: exclusion and inequality in higher education work placements214 cited
  • 2012Social Capital and Networks in Film and TV: Jobs for the Boys?195 cited
  • 2013Making the Intern Economy: Role and Career Challenges of the Music Industry Intern149 cited
  • 2019Devalued women, valued men: motherhood, class and neoliberal feminism in the creative media industries115 cited
  • 2015Creative labour and graduate outcomes: implications for higher education and cultural policy112 cited
  • 2016Macho, mobile and resilient? How workers with impairments are doubly disabled in project-based film and television work68 cited
  • 2014‘Men own television’: why women leave media work62 cited
  • 2017Creative work and affect: Social, political and fantasmatic dynamics in the labour of musicians60 cited
  • 2015Creative work careers: pathways and portfolios for the creative economy59 cited
  • 2015Creative graduate pathways within and beyond the creative industries55 cited
  • 2018Be creative for the state: Creative workers in Chinese state-owned cultural enterprises42 cited
  • 2021Precarious work and creative placemaking: freelance labour in Bristol31 cited
  • 2013Cultural workers in-the-making25 cited
  • 2022Evolution of innovation networks in industrial clusters and multidimensional proximity: A case of Chinese cultural clusters24 cited
  • 2016Bourdieu’s non-material forms of capital: Implications for start-up policy24 cited