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Cited by

• 2010A Medieval Scholasticus and Renaissance Choirmaster: A Portrait of John Hothby at Lucca18 cited
• 2008“When in Rome……”: What Josquin Learned in the Sistine Chapel15 cited
• 2020Music, Architecture, Proportion and the Renaissance Way of Thinking12 cited
• 2000Different Strokes for Different Folks? On Tempo and Diminution in Fifteenth-Century Music11 cited
• 2002Proportions in Ancient and Medieval Music9 cited
• 2002The evolution of rhythmic notation8 cited
• 2006The mensura of φ in the works of Du Fay6 cited
• 2018Composing in Theory: Busnoys, Tinctoris, and the L'homme armé Tradition4 cited
• 2010Looking Back over the 'Missa L'Ardant desir': Double Signatures and Unusual Signs in Sources of Fifteenth-Century Music3 cited