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Searching for the Perfect Aspect Ratio
16 references·0 citing·27 second hop
Searching for the Perfect Aspect Ratio (1996)Searching for the Perfect Aspect RatioA historical study of the academy of motion picture arts and sciences (1927-1947) (2016)A historical study of the aca…American Cinematographer Manual (2002)American Cinematographer Manu…Film style and technology: history and analysis (1994)Film style and technology: hi…America goes to the movies : 100 years of motion picture exhibition (1993)America goes to the movies : …Widescreen Cinema (1992)Widescreen CinemaWide screen movies: a history and filmography of wide gauge filmmaking (1988)Wide screen movies: a history…Hollywood and the Box Office, 1895–1986 (1988)Hollywood and the Box Office,…Dates and sources: A contribution to the history of the art of projection and to cinematography (1986)Dates and sources: A contribu…The history of movie photography (1981)The history of movie photogra…On the Application of the Golden Ratio in the Visual Arts (1981)On the Application of the Gol…Living Pictures: Their History, Photo-Production and Practical Working (1978)Living Pictures: Their Histor…Hollywood cameramen: Sources of light (1970)Hollywood cameramen: Sources …Behind the Screen: The History and Techniques of the Motion Picture (1965)Behind the Screen: The Histor…The Edison Motion Picture Myth (1962)The Edison Motion Picture MythPapermaking: The History and Technique of An Ancient Craft (1943)Papermaking: The History and …A Brief History of the Kinetograph, the Kinetoscope and the Kineto-Phonograph<!-- * --> (1933)A Brief History of the Kineto…Ashley Street Blues: Racial Uplift and the Commodification of Vernacular Performance in Lavilla, Florida, 1896-1916 (2006)A ‘proper point of view’: The panorama and some of its early media iterations (2011)Island writing, Creole cultures (2012)Historical Paper: The Origins of 35mm Film as a Standard (1990)‘The modern Elixir of Life’: Kinemacolor, royalty and the Delhi Durbar (2009)Negotiating the Archives: The Natalie Kalmus Papers and the “Branding” of Technicolor in Britain and the United States (2011)The Cambridge History of the Book in Britain (2008)Deacidification for the conservation and preservation of paper-based works: A review (2010)Paper conservation methods: a literature review (2015)Understanding Invention as a Cognitive Process: The Case of Thomas Edison and Early Motion Pictures, 1888-91 (1990)Alice Guy: a life in motion (1996)Eroticism and Technological Regression: The Stag Film (2006)Quicker, Faster, Darker: Changes in Hollywood Film over 75 Years (2011)How to Compare One Million Images? (2012)The Attentional Theory of Cinematic Continuity (2012)IMAXTECHNOLOGY AND THE TOURIST GAZE (1998)Urban mobility and cinematic visuality: the screens of Los Angeles - endless cinema or private telematics (2002)Scale and the Negotiation of ‘Real’ and ‘Unreal’ Space in the Cinema (2009)Accounting for Emergence and Novelty in Boston and Bay Area Biotechnology* (2006)Building architectural advantage in the US motion picture industry: Lew Wasserman and the Music Corporation of America (2009)Liberationist readings of the Bible (2015)T. S. Eliot and Cinema (2006)Media of Attraction: A Media Archeology Approach to Panoramas, Kinematography, Mixed Reality and Beyond (2016)Ovid on Screen (2020)Videophilia: What Happens When You Wait for It on Video (1991)Notes on the split-field diopter (2007)Collaboration and Concepts of Authorship (2001)
this work references cited by second hop

References

  • 1943Papermaking: The History and Technique of An Ancient Craft466 cited
  • 1994Film style and technology: history and analysis220 cited
  • 1992Widescreen Cinema204 cited
  • 1988Hollywood and the Box Office, 1895–1986120 cited
  • 1981The history of movie photography66 cited
  • 1978Living Pictures: Their History, Photo-Production and Practical Working59 cited
  • 1965Behind the Screen: The History and Techniques of the Motion Picture45 cited
  • 1962The Edison Motion Picture Myth43 cited
  • 1970Hollywood cameramen: Sources of light34 cited
  • 2002American Cinematographer Manual34 cited
  • 1988Wide screen movies: a history and filmography of wide gauge filmmaking33 cited
  • 1981On the Application of the Golden Ratio in the Visual Arts25 cited
  • 1986Dates and sources: A contribution to the history of the art of projection and to cinematography23 cited
  • 2016A historical study of the academy of motion picture arts and sciences (1927-1947)23 cited
  • 1993America goes to the movies : 100 years of motion picture exhibition22 cited
  • 1933A Brief History of the Kinetograph, the Kinetoscope and the Kineto-Phonograph<!-- * -->

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