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Characterisation of early medieval frescoes by μ-PIXE, SEM and Raman spectroscopy
4 references·2 citing·20 second hop
Characterisation of early medieval frescoes by μ-PIXE, SEM and Raman spectroscopy (2004)Characterisation of early medieval fresco…Study of the pigments in medieval polychrome architectural elements of “Veneto-Byzantine” style (2002)Study of the pigments in medi…PIXE and μ-PIXE analysis of glazes from terracotta sculptures of the della Robbia workshop (2002)PIXE and μ-PIXE analysis of g…Archeologia dei materiali da costruzione (2000)Archeologia dei materiali da …A Monument of Byzantine Wall Painting: The Method of Construction (1958)A Monument of Byzantine Wall …Seeing red: an analysis of archeological hematite in east central Missouri (2020)Seeing red: an analysis of ar…A pXRF In Situ Study of 16th–17th Century Fresco Paints from Sviyazhsk (Tatarstan Republic, Russian Federation) (2019)A pXRF In Situ Study of 16th–…PIXE and SEM studies of Tartesic gold artefacts (1998)Confocal Raman spectroscopic study of painted medieval manuscripts (2001)Determination of pigments in colour layers on walls of some selected historical buildings using optical and scanning electron microscopy (2007)Identification of pigments in the Annunciation sculptural group (Cordoba, Spain) by micro-Raman spectroscopy (2019)Review of in-situ non- and micro-destructive techniques for pigment analysis in architectural heritage (2025)Ochre-differentiation through micro-Raman and micro-FTIR spectroscopies: application on wall paintings at Meteora and Mount Athos, Greece (2000)Clay and iron oxide pigments in the history of painting (2003)The invention of blue and purple pigments in ancient times (2006)Non-Invasive Study of Pigment Palette Used by Olga Boznańska Investigated with Analytical Imaging, XRF, and FTIR Spectroscopy (2023)Specialization, Exchange and Complex Societies. (1988)Engraved ochres from the Middle Stone Age levels at Blombos Cave, South Africa (2009)Symbolic use of marine shells and mineral pigments by Iberian Neandertals (2010)The Identification of Blue Pigments in Early Sienese Paintings by Color Infrared Photography (1991)Characterization of the Caput Mortuum purple hematite pigment and synthesis of a modern analogue (2020)ELEMENTAL ANALYSES OF A GROUP OF GLAZED TERRACOTTA ANGELS FROM THE ITALIAN RENAISSANCE, AS A TOOL FOR THE RECONSTRUCTION OF A COMPLEX CONSERVATION HISTORY* (2003)Characterization of the glaze and in-glaze pigments of the nineteenth-century relief tiles from the Pena National Palace, Sintra, Portugal (2016)Comparison of pXRF and LA-ICP-MS analysis of lead-rich glass mosaic tesserae (2020)A combined analytical approach applied to Medieval wall paintings from Puglia (Italy): The study of painting techniques and its conservation state (2015)The Evolution of the Vitruvian Recipes over 500 Years of Floor‐Making Techniques: The Case Studies of the Domus delle Bestie Ferite and the Domus di Tito Macro (Aquileia, Italy) (2017)Ancient restoration and production technologies of Roman mortars from monuments placed in hydrogeological risk areas: a case study (2020)
this work references cited by second hop

References

  • 2000Archeologia dei materiali da costruzione36 cited
  • 2002PIXE and μ-PIXE analysis of glazes from terracotta sculptures of the della Robbia workshop29 cited
  • 1958A Monument of Byzantine Wall Painting: The Method of Construction26 cited
  • 2002Study of the pigments in medieval polychrome architectural elements of “Veneto-Byzantine” style25 cited

Cited by

  • 2020Seeing red: an analysis of archeological hematite in east central Missouri17 cited
  • 2019A pXRF In Situ Study of 16th–17th Century Fresco Paints from Sviyazhsk (Tatarstan Republic, Russian Federation)12 cited

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