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Efficient New Methods for Embedding Paint and Varnish Samples for Microscopy
4 references·3 citing·27 second hop
Efficient New Methods for Embedding Paint and Varnish Samples for Microscopy (2004)Efficient New Methods for Embedding Paint…Preparation of cross-sections from easel paintings (2003)Preparation of cross-sections…Embedding Paint Cross-Section Samples in Polyester Resins: Problems and Solutions (1994)Embedding Paint Cross-Section…Some Improvements in the Study of Cross Sections (1991)Some Improvements in the Stud…The Pigments and Mediums of the Old Masters (1914)The Pigments and Mediums of t…A skewed balance? (2017)A skewed balance?Optimal Sample Preparation for the Analysis of Micrometric Heterogeneous Samples (2015)Optimal Sample Preparation fo…Seville City Hall Chapter Room ceiling decoration (2010)Seville City Hall Chapter Roo…Cross-Sections and Chemical Analysis of Paint Samples (1956)Materials Issues in Art and Archaeology (1991)Consolidation of Porous Paint in a Vapor-Saturated Atmosphere a Technique for Minimizing Changes in the Appearance of Powdering, Matte Paint (1993)A multiscalar photoluminescence approach to discriminate among semiconducting historical zinc white pigments (2013)Preparation of thin-sections of painting fragments: Classical and innovative strategies (2014)Elemental imaging of heterogeneous inorganic archaeological samples by means of simultaneous laser induced breakdown spectroscopy and laser ablation inductively coupled plasma mass spectrometry measurements (2017)METHODS USED FOR THE IDENTIFICATION OF BINDING MEDIA IN ITALIAN PAINTINGS OF THE FIFTEENTH AND SIXTEENTH CENTURIES (1971)Analysis of Aged Paint Binders by FTIR Spectroscopy (1990)Pigments and binders in the wall paintings of Santa Maria della Steccata in Parma (Italy): the ultimate technique of Parmigianino (2004)Evaluation of the effect of six different paint cross section preparation methods on the performances of Fourier Transformed Infrared microscopy in attenuated total reflection mode (2012)Evaluation of the effect of different paint cross section preparation methods on the performances of Fourier transformed infrared microscopy in total reflection mode (2013)National Gallery Technical Bulletin (1979)Cleaning Painted Surfaces: Aqueous Methods (2001)Degradation of gold and false golds used as gildings in the cultural heritage of Andalusia, Spain (2008)Diagnostics of wall paintings: A smart and reliable approach (2015)Green pigments of Roman mural paintings from Seville Alcazar (2015)The analysis of polychrome works of art: 40 years of infrared spectroscopic investigations (2001)X-rays in art and archaeology: An overview (2004)Novel analytical methods for characterising binding media and protective coatings in artworks (2008)Organic Chemistry of Museum Objects (2012)Low molecular weight organic acid salts, markers of old fungi activity in wall paintings (2016)The cultural biography of things: commoditization as process (1986)The cultural biography of objects (1999)Materials against materiality (2007)THE PROBLEM OF THE BINDING MEDIUM PARTICULARLY IN WALL PAINTING (1963)Characterization of Pigment and Binder in Badly Conserved Illuminations of a 15th‐Century Manuscript (2013)Looking for Common Fingerprints in Leonardo’s Pupils Using Nondestructive Pigment Characterization (2017)
this work references cited by second hop

References

  • 2003Preparation of cross-sections from easel paintings57 cited
  • 1994Embedding Paint Cross-Section Samples in Polyester Resins: Problems and Solutions53 cited
  • 1991Some Improvements in the Study of Cross Sections27 cited
  • 1914The Pigments and Mediums of the Old Masters24 cited

Cited by

  • 2015Optimal Sample Preparation for the Analysis of Micrometric Heterogeneous Samples14 cited
  • 2010Seville City Hall Chapter Room ceiling decoration10 cited
  • 2017A skewed balance?2 cited

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