Go With Your Feelings: Hong Kong and Taiwan Popular Culture in Greater China

Abstract

Trying to puzzle out the Communist leadership's reaction to the massive demonstrations then under way during the spring of 1989, some Chinese wits turned to “Go With Your Feelings,” a well-known song recorded by the Taiwan pop singer Su Rui. This not only indicated the critical role of one often unpredictable octogenarian, it also revealed the pervasiveness of popular culture from “peripheral China” on the mainland core: an allusion to a pop song from Taiwan could be used (and understood) to sum up an extremely volatile situation. As the economies of the mainland, Hong Kong and Taiwan move toward increased integration, with Hong Kong and Taiwan supplying the dynamism and the mainland the market, a comparable trend is emerging in the cultural realm: popular culture from Hong Kong and Taiwan is claiming a substantial share of the market and loyalties of mainland consumers. Furthermore, it is redefining the essence of what it means to be a “modern” Chinese at the end of the 20th century, and popularizing a new language for expressing individual sentiments.

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