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Go With Your Feelings: Hong Kong and Taiwan Popular Culture in Greater China
2 references·16 citing·45 second hop
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this work references cited by second hop

References

  • 1995Like a Knife: Ideology and Genre in Contemporary Chinese Popular Music94 cited
  • 1994Like a Knife: Ideology and Genre in Contemporary Chinese Popular Music65 cited

Cited by

  • 2003Media Capital153 cited
  • 2009Hallyu: The Rise of Transnational Cultural Consumers in China and Japan42 cited
  • 2018Truth, Good and Beauty: The Politics of Celebrity in China42 cited
  • 2019Changing Platformativity of China’s Female Wanghong: From Anni Baobei to Zhang Dayi34 cited
  • 2019Rappers as Knights-Errant: Classic Allusions in the Mainstreaming of Chinese Rap25 cited
  • 2001Pop Culture China24 cited
  • 2022Chinese Celebrities’ Political Signalling on Sina Weibo23 cited
  • 2013The Evolution of Taipei’s Music Industry: Cluster and Network Dynamics in the Innovation Practices of the Music Industry19 cited
  • 2020Navigating and Circumventing (Self)censorship in the Chinese Music Scene13 cited
  • 2018Mediatized Taiwan Mandarin12 cited
  • 2017Emerging challenges of an urban creative economy: reflections on the governance of creative clusters in Taipei City12 cited
  • 2009Representations of Africa in a Hong Kong Soap Opera: The Limits of Enlightened Humanitarianism inThe Last Breakthrough12 cited

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2024
Exploring music geography beyond the West: Clustering and mobility of Chinese musicians in the digital era
11 cited
  • 2000Cultural policy in China: Emerging research agendas11 cited
  • 2017Chinese Television and National Identity Construction11 cited
  • 2013‘Mediated persona’ and Hong Kong stars: negotiating mainland celebrity10 cited