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“Que mes photos soient dans le quotidien”: The Diary Writing and Photographic Self-Portraiture of Alix Cléo Roubaud
16 references·0 citing·30 second hop
“Que mes photos soient dans le quotidien”: The Diary Writing and Photographic Self-Portraiture of Alix Cléo Roubaud (2014)“Que mes photos soient dans le quotidien”…A/B: Autobiography / Studies (2012)A/B: Autobiography / StudiesPhotography Degree Zero: Reflections on Roland Barthes’s “Camera Lucida” (2009)Photography Degree Zero: Refl…Signes de vie : le pacte autobiographique 2 (2005)Signes de vie : le pacte auto…La photographie : entre document et art contemporain (2005)La photographie : entre docum…Translating One’s Self: Language and Selfhood in Cross-Cultural Autobiography (2002)Translating One’s Self: Langu…Light Writing and Life Writing: Photography in Autobiography (1999)Light Writing and Life Writin…Telling Time: Clocks, Diaries and English Diurnal Form 1660-1785 (1998)Telling Time: Clocks, Diaries…Picturing Ourselves (1997)Picturing OurselvesLe souci de soi (1997)Le souci de soiFamily Frames: Photography, Narrative and Postmemory (1997)Family Frames: Photography, N…Inscribing the daily: critical essays on women's diaries (1996)Inscribing the daily: critica…Autobiographics: a feminist theory of women's self-representation (1994)Autobiographics: a feminist t…Vision and Painting: The Logic of the Gaze (1984)Vision and Painting: The Logi…LA Chambre Claire: Note Sur LA Photographie (1980)LA Chambre Claire: Note Sur L…Photography (1978)PhotographyRoland Barthes par Roland Barthes (1975)Roland Barthes par Roland Bar…Photovoice Ethics: Perspectives from Flint Photovoice (2001)Surviving Images: Holocaust Photographs and the Work of Postmemory (2001)The Birth of the 'Kodak Moment': Institutional Entrepreneurship and the Adoption of New Technologies (2005)Limits to Anthropocentrism: Toward an Ecocentric Organization Paradigm? (1995)Feminist Visualization: Re-envisioning GIS as a Method in Feminist Geographic Research (2002)Visual essentialism and the object of visual culture (2003)Revolutionary pedagogies : cultural politics, instituting education, and the discourse of theory (2000)Postfeminism, Neoliberalism and A ‘Successfully’ Balanced Femininity in Celebrity CEO Autobiographies (2016)‘Female Heroes’: Celebrity Executives as Postfeminist Role Models (2018)Mr. Spectator and the Coffeehouse Public Sphere (2004)Wordsworth, Commodification, and Social Concern (2009)Time and the Moment in Victorian Literature and Society (2011)Timeshift: on video culture (1991)The Cambridge History of Literary Criticism (1995)Autobiographical Themes in Turkish Literature: Theoretical and Comparative Perspectives (2007)L’anthropologie visuelle et les chemins du savoir (2004)Anthropology, Interviewing, and Communicability in Contemporary Society (2007)Leaving nothing but ripples on the water: performing ecotourism natures (2007)Screening Moments, Scrolling Lives: Diary Writing on the Web (2003)What Can Be Done with Diaries? (2004)The Writing Culture of Ordinary People in Europe, c.1860–1920 (2012)Why there are no ‘colour universals’ in language and thought (2008)Language and Metalanguage: Key Issues in Emotion Research (2009)The Bilingual Mind: And What it Tells Us about Language and Thought (2014)Photographing Objects as Queer Archival Practice (2014)Unruly Representation: Materiality, indexicality and agency of the photographic trace (2017)Unnatural Images: On AI-Generated Photographs (2024)The Taste of the Archive (2012)The Cambridge Introduction to Literature and Psychoanalysis (2014)New Insights in the History of Interpreting (2016)
this work references cited by second hop

References

  • 1997Family Frames: Photography, Narrative and Postmemory2,318 cited
  • 1980LA Chambre Claire: Note Sur LA Photographie721 cited
  • 1984Vision and Painting: The Logic of the Gaze487 cited
  • 1975Roland Barthes par Roland Barthes327 cited
  • 1994Autobiographics: a feminist theory of women's self-representation283 cited
  • 1978Photography193 cited
  • 1998Telling Time: Clocks, Diaries and English Diurnal Form 1660-1785190 cited
  • 2009Photography Degree Zero: Reflections on Roland Barthes’s “Camera Lucida”151 cited
  • 1996Inscribing the daily: critical essays on women's diaries141 cited
  • 2002Translating One’s Self: Language and Selfhood in Cross-Cultural Autobiography106 cited
  • 1997Picturing Ourselves96 cited
  • 1997Le souci de soi65 cited
  • 1999Light Writing and Life Writing: Photography in Autobiography57 cited
  • 2005La photographie : entre document et art contemporain54 cited
  • 2005Signes de vie : le pacte autobiographique 254 cited
  • 2012A/B: Autobiography / Studies46 cited

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