SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
The gender of colors in Dutch art theory
9 references·0 citing·24 second hop
The gender of colors in Dutch art theory (2012)The gender of colors in Dutch art theoryThe Visible World : Samuel van Hoogstraten's Art Theory and the Legitimation of Painting in the Dutch Golden Age (2008)The Visible World : Samuel va…:Painting Women: Cosmetics, Canvases, and Early Modern Culture (2007):Painting Women: Cosmetics, C…The preference for the primitive: episodes in the history of Western taste and art (2003)The preference for the primit…Dolce's “Aretino” and Venetian Art Theory of the Cinquecento (2003)Dolce's “Aretino” and Venetia…Seductress of Sight: Studies in Dutch Art of the Golden Age (2000)Seductress of Sight: Studies …Rembrandt: The Painter at Work (1998)Rembrandt: The Painter at WorkGendered Style in Italian Art Criticism from Michelangelo to Malvasia (1995)Gendered Style in Italian Art…Der Lobtopos des "lebenden" Bildes. Jan Vos und sein "Zeege der Schilderkunst" von 1654 (1993)Der Lobtopos des "lebenden" B…Rembrandt en de regels van de kunst (1979)Rembrandt en de regels van de…Polarity and Analogy: Two Types of Argumentation in Early Greek Thought (1967)Becoming Visible: Women in European History (1977)The Renaissance Notion of Woman (1980)Musical Authorship from Schütz to Bach (2019)‘Primitivism’, Anthropology, and the Category of ‘Primitive Art’ (2006)Rome and the Worlds beyond its Frontiers (2016)Keeping to oneself: Hospitality and the magical hoard in the Balga of Jordan (2019)‘The Beautifying Part of Physic’: Women’s Cosmetic Practices in Early Modern England (2011)Cultural And Social Influences On The Perception Of Beauty: A Case Analysis Of The Cosmetics Industry (2011)Thomas Lawrence’s Consumptive Chic: Reinterpreting Lady Manners’s Hectic Flush in 1794 (2016)Painting and Publishing as Cultural Industries. The Fabric of Creativity in the Dutch Republic, 1580-1800 (2016)The Sublime and the “Beholder’s Share”: Junius, Rubens, Rembrandt (2016)Impossible Desire and the Limits of Knowledge in Renaissance Poetry (2019)‘Delineated lives’: themes and variations in seventeenth-century poems about portraits (1986)Tropes of Revelation in Raphael's "Transfiguration" (2003)Sixteenth-Century Paduan Annotations to the First Edition of Vasari's Vite (1550) (2009)A thread counting algorithm for art forensics (2009)Weave analysis of paintings on canvas from radiographs (2012)Rembrandt’s self-portraits (2016)Zingend door het leven : Het Nederlandse liedboek in de Gouden Eeuw (2009)A Concise History of the Netherlands (2017)‘Curious pictures’ and the art of description (1995)Towards a reconstruction of Rembrandt’s art theory (2011)Grace, Genius, and the Longinian Sublime in Rembrandt’s Aristotle with a Bust of Homer (2016)
this work references cited by second hop

References

  • 2008The Visible World : Samuel van Hoogstraten's Art Theory and the Legitimation of Painting in the Dutch Golden Age98 cited
  • 2003The preference for the primitive: episodes in the history of Western taste and art61 cited
  • 2000Seductress of Sight: Studies in Dutch Art of the Golden Age59 cited
  • 2003Dolce's “Aretino” and Venetian Art Theory of the Cinquecento42 cited
  • 1995Gendered Style in Italian Art Criticism from Michelangelo to Malvasia35 cited
  • 1998Rembrandt: The Painter at Work27 cited
  • 1979Rembrandt en de regels van de kunst23 cited
  • 2007:Painting Women: Cosmetics, Canvases, and Early Modern Culture19 cited
  • 1993Der Lobtopos des "lebenden" Bildes. Jan Vos und sein "Zeege der Schilderkunst" von 16542 cited

Cited by

No citing works inside the corpus for this window.

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work