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HIP-HOP AND CULTURAL CITIZENSHIP ON KENYA'S ‘SWAHILI COAST’
16 references·10 citing·26 second hop
HIP-HOP AND CULTURAL CITIZENSHIP ON KENYA'S ‘SWAHILI COAST’ (2012)HIP-HOP AND CULTURAL CITIZENSHIP ON KENYA…Distinction: A Social Critique of the Judgement of Taste* (2018)Distinction: A Social Critiqu…Struggling with history: Islam and cosmopolitanism in the western Indian Ocean (2007)Struggling with history: Isla…Cities in Contemporary Africa (2006)Cities in Contemporary AfricaThe African diaspora in the Indian Ocean (2003)The African diaspora in the I…Global Noise: Rap and Hip‐Hop outside the USA. (2003)Global Noise: Rap and Hip‐Hop…Global noise - Rap and Hip-Hop outside the USA (2003)Global noise - Rap and Hip-Ho…The 'Hood Comes First: Race, Space, and Place in Rap and Hip-Hop (2002)The 'Hood Comes First: Race, …The 'Hood Comes First (2002)The 'Hood Comes FirstPostcolonial Subjectivities In Africa (2002)Postcolonial Subjectivities I…Popular Music and Youth Culture: Music, Identity, and Place (2001)Popular Music and Youth Cultu…Popular music and youth culture: music, identity and place (2000)Popular music and youth cultu…Modernity at Large: Cultural Dimensions of Globalization. (1998)Modernity at Large: Cultural …Cultural Citizenship as Subject-Making: Immigrants Negotiate Racial and Cultural Boundaries in the United States [and Comments and Reply] (1996)Cultural Citizenship as Subje…The world of the Swahili: an African mercantile civilization (1993)The world of the Swahili: an …The Swahili: Reconstructing the History and Language of an African Society, 800-1500 (1986)The Swahili: Reconstructing t…The Swahili (1985)The SwahiliChildren’s and adolescents’ engagement with music and the potential for (digital) empowerment processes: A text-mining-supported scoping review (2024)Children’s and adolescents’ e…Ethnomusicology of the Creative Process (2021)Ethnomusicology of the Creati…Singing the Body: Postmodern Orality and the Female Body in the Nigerian Hip Hop Nation (2020)Singing the Body: Postmodern …Reppin’ the nation, reppin’ themselves: Nation branding and personal branding in Kenya’s music video industry (2020)Reppin’ the nation, reppin’ t…Love, Struggle, and Compromises: The Political Seriousness of Nairobi Underground Hip Hop (2018)Love, Struggle, and Compromis…The making of a ‘superstar’: the politics of playback and live performance in post-genocide Rwanda (2017)The making of a ‘superstar’: …Introduction (2017)IntroductionHip Hop at Europe's Edge: Music, Agency, and Social Change (2017)Hip Hop at Europe's Edge: Mus…LOCATING HIP HOP ORIGINS: POPULAR MUSIC AND TRADITION IN SENEGAL (2016)LOCATING HIP HOP ORIGINS: POP…Locating the Indian Ocean: notes on the postcolonial reconstitution of space (2015)Locating the Indian Ocean: no…Talking science: language, learning, and values (1991)What Is Agency? (1998)The Field behind the Screen: Using Netnography for Marketing Research in Online Communities (2002)Citizenship and Immigration: Multiculturalism, Assimilation, and Challenges to the Nation-State (2008)A Concept Analysis of Digital Citizenship for Democratic Citizenship Education in the Internet Age (2016)Addressing Recognition Gaps: Destigmatization and the Reduction of Inequality (2018)Migrant “Illegality” and Deportability in Everyday Life (2002)How Ideas Spread: Whose Norms Matter? Norm Localization and Institutional Change in Asian Regionalism (2004)The New Mobilities Paradigm (2006)The Cambridge Handbook of Endangered Languages (1999)Hybridity and the rise of Korean popular culture in Asia (2005)Plugged in: Remote Australian Indigenous Youth and Digital Culture (2010)SUBCULTURES OR NEO‐TRIBES? RETHINKING THE RELATIONSHIP BETWEEN YOUTH, STYLE AND MUSICAL TASTE (1999)Theorising Urban Playscapes: Producing, Regulating and Consuming Youthful Nightlife City Spaces (2002)The Glocalization of Youth Culture: The Global Youth Segment as Structures of Common Difference (2006)Changing times, changing perspectives: Reconciling ‘transition’ and ‘cultural’ perspectives on youth and young adulthood (2011)East Africa and Madagascar in the Indian Ocean world (2013)Linguistic Features and Typologies in Languages Commonly Referred to as ‘Nilo-Saharan’ (2019)The Cambridge Handbook of African Linguistics (2019)Hip-hop Realness and the White Performer (2005)Misogyny in Rap Music (2009)Wounded Healing: Forming a Storytelling Community in Hip-Hop Lit (2009)Empire of Dirt: The Aesthetics and Rituals of British Indie Music (2013)Why Youth Heart Social Network Sites: The Role of Networked Publics in Teenage Social Life (2017)Music and the Global Order (2004)Changing Communicative Needs, Revised Assessment Objectives: Testing English as an International Language (2006)
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References

  • 2018Distinction: A Social Critique of the Judgement of Taste*20,290 cited
  • 1998Modernity at Large: Cultural Dimensions of Globalization.18,135 cited
  • 1996Cultural Citizenship as Subject-Making: Immigrants Negotiate Racial and Cultural Boundaries in the United States [and Comments and Reply]912 cited
  • 2002The 'Hood Comes First: Race, Space, and Place in Rap and Hip-Hop595 cited
  • 2000Popular music and youth culture: music, identity and place468 cited
  • 2003Global noise - Rap and Hip-Hop outside the USA374 cited
  • 2002The 'Hood Comes First368 cited
  • 1985The Swahili286 cited
  • 2003Global Noise: Rap and Hip‐Hop outside the USA.285 cited
  • 2001Popular Music and Youth Culture: Music, Identity, and Place282 cited
  • 1993The world of the Swahili: an African mercantile civilization236 cited
  • 2003The African diaspora in the Indian Ocean207 cited
  • 2006Cities in Contemporary Africa180 cited
  • 1986The Swahili: Reconstructing the History and Language of an African Society, 800-1500172 cited
  • 2007Struggling with history: Islam and cosmopolitanism in the western Indian Ocean148 cited
  • 2002

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Postcolonial Subjectivities In Africa
141 cited

Cited by

  • 2015Locating the Indian Ocean: notes on the postcolonial reconstitution of space56 cited
  • 2017Introduction26 cited
  • 2017The making of a ‘superstar’: the politics of playback and live performance in post-genocide Rwanda24 cited
  • 2018Love, Struggle, and Compromises: The Political Seriousness of Nairobi Underground Hip Hop18 cited
  • 2016LOCATING HIP HOP ORIGINS: POPULAR MUSIC AND TRADITION IN SENEGAL18 cited
  • 2017Hip Hop at Europe's Edge: Music, Agency, and Social Change12 cited
  • 2020Singing the Body: Postmodern Orality and the Female Body in the Nigerian Hip Hop Nation5 cited
  • 2020Reppin’ the nation, reppin’ themselves: Nation branding and personal branding in Kenya’s music video industry5 cited
  • 2024Children’s and adolescents’ engagement with music and the potential for (digital) empowerment processes: A text-mining-supported scoping review4 cited
  • 2021Ethnomusicology of the Creative Process2 cited