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Animals in Art and Thought to the End of the Middle Ages. By Francis Klingender, Evelyn Antal, and John Harthan.
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  • 1996Deconstructive Strategy and Consumer Research: Concepts and Illustrative Exemplar79 cited
  • 2017The Role of Animals in Human Culture ∗40 cited
  • 2007The Talking Greeks: Speech, Animals, and the Other in Homer, Aeschylus, and Plato38 cited
  • 2000Christiaan Huygens's Attitude toward Animals30 cited
  • 2005Crossing Paths in the Middle Ages: The Physiologus in Iceland19 cited
  • 2000“He who sits in the heavens laughs”: Recovering Animal Theology in the Abrahamic Traditions19 cited
  • 1991Introduction to fish imagery in art16 cited
  • 1993Corpulent Cattle and Milk Machines: Nature, Art and the Ideal Type14 cited
  • 2017Apocalyptic Ecology: The Book of Revelation, the Earth, and the Future12 cited
  • 1983The illustrations of birds in the Vatican manuscript of De arte venandi cum avibus of Frederick II9 cited
  • 2011Posthumanist theory and the premodern animal sign7 cited
  • 1979The birds of English medieval manuscripts7 cited
  • 2013The social significance of late medieval dress accessories6 cited
  • 2004Charlemagne, King of Beasts5 cited
  • 2006A Idade Média e o Bestiário

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3 cited
  • 2005Barking Up the Wrong Tree? The Significance of the chienet in Old French Romance3 cited