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“We Getting the Kaiso That We Deserve”: Calypso and the World Music Market
0 references·4 citing·20 second hop
“We Getting the Kaiso That We Deserve”: Calypso and the World Music Market (1998)“We Getting the Kaiso That We Deserve”: C…Calypso and the Performance of Representational Politics (2012)Calypso and the Performance o…Music, Politics, and Pleasure: Live Soca in Trinidad (2010)Music, Politics, and Pleasure…Negotiation of Trinidadian identity in ragga soca music (2009)Negotiation of Trinidadian id…Performing Gender in the Trinidad Calypso (2004)Performing Gender in the Trin…Colonial Discourse and Post-Colonial Theory: A Reader (1995)Caribbean currents: Caribbean music from rumba to reggae (1996)West Indian Intellectuals in Britain (2003)Accents of English (1982)World Englishes: approaches, issues and resources (1992)Crossing: Language and Ethnicity among Adolescents (1996)World Englishes in the Media (2019)Migration, media, and the emergence of pidgin‐ and creole‐based informal epicentres (2022)Poetics of Relation (1997)Intimacy: A Special Issue (1998)Music and the materialization of identities (2011)“We are the Partisans of Our Time”: Antifascism and Post-Yugoslav Singing Memory Activism (2020)Carnal Knowledge and Imperial Power (2020)Cuban Music Is African Music (2020)The anthropology of experience (1986)The Anthropology of Performance (1986)Gender Trouble: Feminism and the Subversion of Identity (1991)“Roll It Gal” (2008)De Jamette in We: Redefining Performance in Contemporary Trinidad Carnival (2010)La Djablesse: Between Martinique, Trinidad (and Tobago), and its Pan-Caribbean Dimension (2018)
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  • 2010Music, Politics, and Pleasure: Live Soca in Trinidad38 cited
  • 2004Performing Gender in the Trinidad Calypso36 cited
  • 2012Calypso and the Performance of Representational Politics18 cited
  • 2009Negotiation of Trinidadian identity in ragga soca music11 cited

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