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Signifying Nothing: On the Aesthetics of Pure Voice in Early Venetian Opera
4 references·2 citing·26 second hop
Signifying Nothing: On the Aesthetics of Pure Voice in Early Venetian Opera (2003)Signifying Nothing: On the Aesthetics of …“Imitar col canto chi parla”: Monteverdi and the Creation of a Language for Musical Theater (2002)“Imitar col canto chi parla”:…Tacitus Incognito: Opera as History in "L'incoronazione di Poppea" (1999)Tacitus Incognito: Opera as H…Seneca and the Interpretation of "L'Incoronazione di Poppea" (1985)Seneca and the Interpretation…Barbara Strozzi, "virtuosissima cantatrice": The Composer's Voice (1978)Barbara Strozzi, "virtuosissi…Reading Music through Literature: Introduction (2017)Reading Music through Literat…‘All that Glisters’: Orpheus’s Failure as an Orator and the Academic Philosophy of theAccademia degli Invaghiti (2014)‘All that Glisters’: Orpheus’…Between Men (1985)Between Men: English Literature and Male Homosocial Desire. (1985)Feminine Endings: Music, Gender, and Sexuality (1992)Love as Persuasion in Monteverdi’s ‘L’incoronazione di Poppea’: New Thoughts on the Authorship Question (2005)Haec Monstra Edidit. Translating Lucan in the Early Seventeenth Century (2013)The Spanish Alexander (2022)Music and Theatre from Poliziano to Monteverdi (1982)Aristotle and the Renaissance (1983)A History of Renaissance Rhetoric 1380-1620 (2011)Annals of Opera (1943)Dizionario biografico degli italiani (1960)The Composer's Voice (1974)The Emergence of Women Composers in Italy, 1566–1700 (1986)The queen as king: Refashioning Semiramide forSeicentoVenice (1993)Venice and the Defense of Republican Liberty (1968)Lettere, dediche, e prefazioni (1973)Music and Culture in Italy from the Middle Ages to the Baroque (1984)Economics and morality : anthropological approaches (2009)Seneca’s Originality (2015)The Cambridge Companion to Seneca (2015)Music and Poetry: The Nineteenth Century and After (1985)The Musicalization of Fiction.A Study in the Theory and History of Intermediality. (1999)Pop-rock music: aesthetic cosmopolitanism in late modernity (2014)From Invention to Interpretation: The Prologues of the First Court Operas Where Oral and Written Cultures Meet (2003)Gesture in Musical Declamation: An Intercultural Approach (2017)Reimagine to Revitalise (2021)
this work references cited by second hop

References

  • 1985Seneca and the Interpretation of "L'Incoronazione di Poppea"86 cited
  • 1999Tacitus Incognito: Opera as History in "L'incoronazione di Poppea"40 cited
  • 1978Barbara Strozzi, "virtuosissima cantatrice": The Composer's Voice32 cited
  • 2002“Imitar col canto chi parla”: Monteverdi and the Creation of a Language for Musical Theater18 cited

Cited by

  • 2014‘All that Glisters’: Orpheus’s Failure as an Orator and the Academic Philosophy of theAccademia degli Invaghiti5 cited
  • 2017Reading Music through Literature: Introduction3 cited

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