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Lesson Spurned? Reactions Of Online Music Pirates To Legal Prosecutions By The Riaa
6 references·0 citing·29 second hop
Lesson Spurned? Reactions Of Online Music Pirates To Legal Prosecutions By The Riaa (2007)Lesson Spurned? Reactions Of Online Music…On the reproduction of the musical economy after the Internet (2005)On the reproduction of the mu…Contested Codes: The Social Construction of Napster (2005)Contested Codes: The Social C…The Effects of Piracy Upon the Music Industry: a Case Study of Bootlegging (2004)The Effects of Piracy Upon th…Music Downloading and Listening: Findings from the Pew Internet and American Life Project (2004)Music Downloading and Listeni…Digitization, the Internet, and the Arts: eBay, Napster, SAG, and e-Books (2002)Digitization, the Internet, a…Irresistible Forces: The Business Legacy of Napster & the Growth of the Underground Internet (2001)Irresistible Forces: The Busi…The Structure of Scientific Revolutions (1963)The Structure of Scientific Revolutions (1963)Competitive Strategy: Techniques for Analyzing Industries and Competitors (1980)Defining a Set of Metrics to Evaluate the Potential Disruptiveness of a Technology (2010)Is the Devil in the Data? A Literature Review of Piracy Around the World (2011)Online piracy, anonymity and social change (2012)Noise: The Political Economy of Music (1986)Club cultures: music, media and subcultural capital (1996)The Tipping Point: How Little Things Can Make a Big Difference (2004)Cartoon planet: worlds of production and global production networks in the animation industry (2009)A Creative Industry in Transition: The Rise of Digitally Driven Independent Music Production (2012)The Firm Foundation of Organizational Flexibility: The 360 Contract in the Digitalizing Music Industry (2012)Tramps Like Us (1998)Tramps like Us: Music and Meaning among Springsteen Fans (2001)‘I'll Be Here With You': Fans, Fantasy and the Figure of Elvis (2002)Anti-piracy effectiveness and managerial confidence: Insights from multinationals in China (2007)The Music Industry on (the) Line? Surviving Music Piracy in a Digital Era (2009)Bootlegs over Broadway: musical theatre (re)productions, digital circulation, and the informal media economy (2021)Popular Culture and High Culture: An Analysis and Evaluation of Taste. (1977)Trust and Power (1979)Napster clones turn their attention to academic e‐books (2003)The Rise of the Network Society (2009)Embracing Change: Exploring How Creative Professionals Use Interactive Media in Advertising Campaigns (2013)Using creative response to sonically translate vernacular photography: The Lest We Forget project in the United Arab Emirates (2022)Ethical Issues in the Music Industry Response to Innovation and Piracy (2005)Freedom of Expression: Overzealous Copyright Bozos and Other Enemies of Creativity (2005)The Relationship between Computer-Mediated-Communication Competence, Apprehension, Self-Efficacy, Perceived Confidence, and Social Presence (2007)A model for a better understanding of the digital distribution of music in a peer-to-peer environment (2003)Digital copyright and the “new” controversy: Is the law moulding technology and innovation? (2005)
this work references cited by second hop

References

  • 2005On the reproduction of the musical economy after the Internet145 cited
  • 2004Music Downloading and Listening: Findings from the Pew Internet and American Life Project61 cited
  • 2004The Effects of Piracy Upon the Music Industry: a Case Study of Bootlegging58 cited
  • 2005Contested Codes: The Social Construction of Napster51 cited
  • 2002Digitization, the Internet, and the Arts: eBay, Napster, SAG, and e-Books33 cited
  • 2001Irresistible Forces: The Business Legacy of Napster & the Growth of the Underground Internet24 cited

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