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Spectacular transcendence: Abundant means in the cinematic representation of African American Christianity
16 references·0 citing·26 second hop
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this work references cited by second hop

References

  • 1981The Dialogic Imagination: Four Essays9,790 cited
  • 1982The Dialogic Imagination: Four Essays7,540 cited
  • 2020Rabelais and his world3,426 cited
  • 1994Framing blackness: the African American image in film547 cited
  • 1979Slave Religion: The "Invisible Institution" in the Antebellum South485 cited
  • 1973Toms, Coons, Mulattoes, Mammies, and Bucks: An Interpretive History of Blacks in American Films457 cited
  • 2010A Black Theology of Liberation434 cited
  • 1974Toms, Coons, Mulattoes, Mammies, and Bucks: An Interpretive History of Blacks in American Films431 cited
  • 2018A black theology of liberation361 cited
  • 1979Slave Religion: The "Invisible Institution" in the Antebellum South289 cited
  • 1970A Rumor of Angels: Modern Society and the Rediscovery of the Supernatural252 cited
  • 1970A Rumor of Angels: Modern Society and the Rediscovery of the Supernatural.243 cited
  • 1992Toms, Coons, Mulattoes, Mammies, & Bucks: An Interpretive History of Blacks in American Films. New Expanded Edition.193 cited
  • 1991Split Image: African Americans in the Mass Media.168 cited
  • 1936A Kierkegaard anthology88 cited

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1992
Another Audience: Black Moviegoing, 1907-16
49 cited

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