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Circuitous Action: Revenge Cinema
16 references·0 citing·29 second hop
Circuitous Action: Revenge Cinema (2015)Circuitous Action: Revenge CinemaStateless Subjects: Chinese Martial Arts Literature and Postcolonial History (2012)Stateless Subjects: Chinese M…A grammar of murder: violent scenes and film form (2010)A grammar of murder: violent …Gender Imaginations in Crouching Tiger, Hidden Dragon and the Wuxia World (2005)Gender Imaginations in Crouch…From Pearl White to White Rose Woo: Tracing the Vernacular Body of Nuxia in Chinese Silent Cinema, 1927-1931 (2005)From Pearl White to White Ros…Kurosawa: film studies and Japanese cinema (2000)Kurosawa: film studies and Ja…Savage cinema: Sam Peckinpah and the rise of ultraviolent movies (1999)Savage cinema: Sam Peckinpah …Revenge Tragedy: Aeschylus to Armageddon (1999)Revenge Tragedy: Aeschylus to…The Future of Allusion: Hollywood in the Seventies (and Beyond) (1998)The Future of Allusion: Holly…Law in the Domains of Culture (1998)Law in the Domains of CultureClint Eastwood and Equity: Popular Culture's Theory of Revenge (1998)Clint Eastwood and Equity: Po…Narrative Mortality: Death, Closure, and New Wave Cinemas (1994)Narrative Mortality: Death, C…Cahiers du Cinéma: The 1950s: Neo-Realism, Hollywood, New Wave (1985)Cahiers du Cinéma: The 1950s:…"Casablanca": Cult Movies and Intertextual Collage (1985)"Casablanca": Cult Movies and…Toward a structural analysis of the postwar samurai film (1983)Toward a structural analysis …Regeneration Through Violence: The Mythology of the American Frontier, 1600-1860 (1974)Regeneration Through Violence…Japanese Swordfighters and American Gunfighters (1973)Japanese Swordfighters and Am…Sources of Japanese Tradition (1959)Morphology of the Folktale (1968)Violence and the Sacred (1979)Death and life at the cinematic beach (2013)The Content of the Form: Narrative Discourse and Historical Representation. (1987)Imagining the Law of the Father: Loss, Dread, and Mourning in The Sweet Hereafter (2000)Death Every Afternoon (2003)Transfigurations : Violence, Death and Masculinity in American Cinema (2008)Western, Go Home! Sergio Leone and the “Death of the Western” in American Film Criticism (2010)A Country for Old Men: Unforgiven, The Shootist , and the Post-Heyday Western (2012)Vicars of ‘Wannabe’: authenticity and the Spice Girls (2001)Tweeting @feliciaday: Online Social Media, Convergence, and Subcultural Stardom (2012)The Greek Mythic Story World (2015)The Blackwell Companion to Law and Society (2004)Eye for an eye (2005)The Cambridge Companion to Greek Comedy (2014)Reigniting Japanese Tradition with Hana-Bi (2001)Positioning auteur theory in Chinese cinemas studies: intratextuality, intertextuality and paratextuality in the films of Tsai Ming-liang (2007)Time frames: Japanese cinema and the unfolding of history (2007)The Passions in Play: Thyestes and the Dynamics of Senecan Drama (2003)Authoring war: the literary representation of war from the Iliad to Iraq (2012)Archive Feelings: A Theory of Greek Tragedy (2020)Jack Daniel's America (2006)Political Theory of Empire and Imperialism (2010)The Myths That Made America (2014)Recycled culture in contemporary art and film: the uses of nostalgia (2004)The Last Great American Picture Show : New Hollywood Cinema in the 1970s (2004)Superflies into Superkillers: Black Masculinity in Film from Blaxploitation to New Black Realism (2013)Teaching Japanese Popular Culture (2010)
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References

  • 1974Regeneration Through Violence: The Mythology of the American Frontier, 1600-1860942 cited
  • 1985"Casablanca": Cult Movies and Intertextual Collage217 cited
  • 2000Kurosawa: film studies and Japanese cinema115 cited
  • 1998Law in the Domains of Culture106 cited
  • 1999Revenge Tragedy: Aeschylus to Armageddon105 cited
  • 1999Savage cinema: Sam Peckinpah and the rise of ultraviolent movies70 cited
  • 1998The Future of Allusion: Hollywood in the Seventies (and Beyond)62 cited
  • 1994Narrative Mortality: Death, Closure, and New Wave Cinemas55 cited
  • 1973Japanese Swordfighters and American Gunfighters47 cited
  • 1983Toward a structural analysis of the postwar samurai film43 cited
  • 1998Clint Eastwood and Equity: Popular Culture's Theory of Revenge32 cited
  • 2012Stateless Subjects: Chinese Martial Arts Literature and Postcolonial History32 cited
  • 1985Cahiers du Cinéma: The 1950s: Neo-Realism, Hollywood, New Wave30 cited
  • 2005Gender Imaginations in Crouching Tiger, Hidden Dragon and the Wuxia World28 cited
  • 2005From Pearl White to White Rose Woo: Tracing the Vernacular Body of Nuxia in Chinese Silent Cinema, 1927-193116 cited

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  • 2010A grammar of murder: violent scenes and film form8 cited
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