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Presenting Minds in Graphic Narratives
16 references·5 citing·26 second hop
Presenting Minds in Graphic Narratives (2008)Presenting Minds in Graphic NarrativesNarrative Comprehension and Film (2013)Narrative Comprehension and F…Narration in the Fiction Film (2013)Narration in the Fiction FilmIntroduction: Graphic Narrative (2006)Introduction: Graphic Narrati…Narrative across media : the languages of storytelling (2004)Narrative across media : the …The Blackwell Guide to Aesthetics (2003)The Blackwell Guide to Aesthe…Film Structure and the Emotion System (2003)Film Structure and the Emotio…The Language of comics: word and image (2002)The Language of comics: word …New Wine in Old Bottles? Voice, Focalization and New Writing (2001)New Wine in Old Bottles? Voic…Narratology: introduction to the theory of narrative (1998)Narratology: introduction to …TOWARDS A ‘NATURAL’ NARRATOLOGY (1996)TOWARDS A ‘NATURAL’ NARRATOLO…Système de la bande dessinée (1996)Système de la bande dessinéeEngaging characters: fiction, emotion, and the cinema (1996)Engaging characters: fiction,…Narratology: Introduction to the Theory of Narrative (1988)Narratology: Introduction to …Du littéraire au filmique : système du récit (1988)Du littéraire au filmique : s…A dictionary of narratology (1988)A dictionary of narratologyTransparent Minds: Narrative Modes for Presenting Consciousness in Fiction (1981)Transparent Minds: Narrative …The theory-practice interplay in creating a graphic memoir about the trauma of forced migration (2019)The theory-practice interplay…Reconfiguring Human, Nonhuman and Posthuman in Literature and Culture (2019)Reconfiguring Human, Nonhuman…Contemporary Fiction vs. the Challenge of Imagining the Timescale of Climate Change (2018)Contemporary Fiction vs. the …Re-Visualizing the Map in Guy Delisle’s Pyongyang (2014)Re-Visualizing the Map in Guy…Towards a Theory of Comic Book Adaptation (2011)Towards a Theory of Comic Boo…Fictionality and Perceived Realism in Experiencing Stories: A Model of Narrative Comprehension and Engagement (2008)The Cambridge Introduction to Narrative (2008)The Cambridge Introduction to Narrative (2020)Fallen Women, Rising Stars, New Horizons: Shanghai Silent Film As Vernacular Modernism (2000)Some Like It Bad: Testing a Model for Perceiving and Experiencing Fictional Characters (2005)WILL THE REAL EMPATHY PLEASE STAND UP? A CASE FOR A NARROW CONCEPTUALIZATION (2011)Tracking point of view in narrative (1994)Psychonarratology foundations for the empirical study of literary response (2003)A Theory of Narrative Empathy (2006)Venus in Two Acts (2008)The Routledge Handbook of Multimodal Analysis (2010)Five Misunderstandings About Case-Study Research (2016)Reconsidering Unreliability: Fallible and Untrustworthy Narrators (2003)Development narratives, or making the best of blueprint development (1991)Dyslexia and the Life Course (2003)Meta-analytic evidence for the persuasive effect of narratives on beliefs, attitudes, intentions, and behaviors (2016)The knowledge management puzzle: Human and social factors in knowledge management (2001)The Non-diegetic Fallacy: Film, Music, and Narrative Space (2010)Visual Narrative Structure (2012)A theoretical framework for narrative explanation in science (2005)Introduction: What Is Narrative Research? (2008)Transmedia Storytelling: Implicit Consumers, Narrative Worlds, and Branding in Contemporary Media Production (2009)What is Narrative Research? (2014)What Literature Teaches Us about Emotion (2011)Film tourism – Evolution, progress and prospects (2012)Gamification: A cognitive-emotional view (2018)
this work references cited by second hop

References

  • 1998Narratology: introduction to the theory of narrative2,181 cited
  • 2013Narration in the Fiction Film1,100 cited
  • 1996TOWARDS A ‘NATURAL’ NARRATOLOGY961 cited
  • 1996Engaging characters: fiction, emotion, and the cinema766 cited
  • 1988A dictionary of narratology741 cited
  • 2004Narrative across media : the languages of storytelling662 cited
  • 1981Transparent Minds: Narrative Modes for Presenting Consciousness in Fiction555 cited
  • 2013Narrative Comprehension and Film444 cited
  • 1988Narratology: Introduction to the Theory of Narrative442 cited
  • 2003Film Structure and the Emotion System285 cited
  • 2002The Language of comics: word and image220 cited
  • 2006Introduction: Graphic Narrative215 cited
  • 2001New Wine in Old Bottles? Voice, Focalization and New Writing105 cited
  • 1996Système de la bande dessinée76 cited
  • 2003The Blackwell Guide to Aesthetics59 cited
  • 1988Du littéraire au filmique : système du récit46 cited

Cited by

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2018
Contemporary Fiction vs. the Challenge of Imagining the Timescale of Climate Change
33 cited
  • 2019Reconfiguring Human, Nonhuman and Posthuman in Literature and Culture25 cited
  • 2011Towards a Theory of Comic Book Adaptation7 cited
  • 2014Re-Visualizing the Map in Guy Delisle’s Pyongyang7 cited
  • 2019The theory-practice interplay in creating a graphic memoir about the trauma of forced migration7 cited