Cited by

• 2020Pigments and glassy matrix of the 17th–18th century enamelled French watches: A non-invasive on-site Raman and pXRF study48 cited
• 2017On‐site Raman study of artwork: Procedure and illustrative examples44 cited
• 2014The source of blue colour of archaeological glass and glazes: the Raman spectroscopy/SEM‐EDS answers42 cited
• 2019Non‐invasive on‐site Raman study of polychrome and white enamelled glass artefacts in imitation of porcelain assigned to Bernard Perrot and his followers41 cited
• 2015On‐Site Identification of Early Böttger Red Stoneware Using Portable XRF /Raman Instruments: 2, Glaze & Gilding Analysis39 cited
• 2015Multi-methodological characterisation of calcium phosphate in late-Antique glass mosaic tesserae33 cited
• 2020Natural or synthetic? Simultaneous Raman/luminescence hyperspectral microimaging for the fast distinction of ultramarine pigments33 cited
• 2013The study of the mural painting in the 12th century monastery of Santa Maria delle Cerrate (Puglia‐Italy): characterization of materials and techniques used31 cited
• 2014In‐situ and laboratory Raman analysis in the field of cultural heritage: the case of a mural painting28 cited
• 2015Towards refining the classification of glass trade beads imported into Southern Africa from the 8th to the 16th century AD28 cited
• 2016On-site identification of Sceaux porcelain and faience using a portable Raman instrument28 cited
• 2015Elemental analysis-aided Raman spectroscopic studies on Chinese cloisonné wares and painted enamels from the Imperial Palace25 cited
• 2014Inside the glassmaker technology: search of Raman criteria to discriminate between Emile Gallé and Philippe‐Joseph Brocard enamels and pigment signatures25 cited
• 2013Non–Destructive Raman Analysis of Ancient Glasses and Glazes22 cited
• 2018Raman microspectroscopy for Cultural Heritage studies21 cited
• 2015Raman and SEM‐EDX analyses of the ‘Royal Portal’ of Bordeaux Cathedral for the virtual restitution of the statuary polychromy17 cited