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Mildred Pierce, Warner Bros., and the Corporate Family
4 references·0 citing·15 second hop
Mildred Pierce, Warner Bros., and the Corporate Family (2002)Mildred Pierce, Warner Bros., and the Cor…The Whiteness of Film Noir (1997)The Whiteness of Film NoirThe genius of the system: Hollywood filmmaking in the studio era (1989)The genius of the system: Hol…Women's Film and Female Experience, 1940-1950 (1985)Women's Film and Female Exper…Duplicity in Mildred Pierce (1978)Duplicity in Mildred PiercePowers of Horror: An Essay on Abjection (1984)The Politics and Poetics of Transgression (1988)Blackface, White Noise: Jewish Immigrants in the Hollywood Melting Pot. (1997)The street was mine: white masculinity in hardboiled fiction and film noir (2003)Exploring How We Enjoy Antihero Narratives (2012)Morality Predicts Enjoyment But Not Appreciation of Morally Ambiguous Characters (2016)Co-Evolution of Entrepreneurial Careers, Institutional Rules and Competitive Dynamics in American Film, 1895-1920 (2001)Critical Discourse and the Cultural Consecration of American Films (2004)The Contemporary Hollywood film industry (2009)Through the (New) Looking Glass (2002)Into the Vortex: Female Voice and Paradox in Film (2006)“Something beneath the flesh”: Music, Gender, and Medical Discourse in the 1940s Female Gothic Film (2014)"What's the Matter with Sara Jane?": Daughters and Mothers in Douglas Sirk's "Imitation of Life" (1987)Structural Irony in "Mildred Pierce," or How Mildred Lost Her Tongue (1990)Horror to the Extreme: Changing Boundaries in Asian Cinema (2009)
this work references cited by second hop

References

  • 1989The genius of the system: Hollywood filmmaking in the studio era452 cited
  • 1997The Whiteness of Film Noir94 cited
  • 1978Duplicity in Mildred Pierce60 cited
  • 1985Women's Film and Female Experience, 1940-195057 cited

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