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Application of peptide mass mapping on proteins in historical mortars
6 references·11 citing·44 second hop
Application of peptide mass mapping on proteins in historical mortars (2009)Application of peptide mass mapping on pr…Analysis of organic colouring and binding components in colour layer of art works (2005)Analysis of organic colouring…Matrix‐assisted laser desorption/ionization time‐of‐flight mass spectrometry as a tool for fast identification of protein binders in color layers of paintings (2004)Matrix‐assisted laser desorpt…Characterisation of proteinaceous binders in artistic paintings by chromatographic techniques (2004)Characterisation of proteinac…Gas chromatography/mass spectrometry for the characterization of organic materials in frescoes of the Momumental Cemetery of Pisa (Italy) (2003)Gas chromatography/mass spect…Identification by GC-FID and GC-MS of amino acids, fatty and bile acids in binding media used in works of art (2001)Identification by GC-FID and …Characterisation of standard tempera painting layers containing proteinaceous binders by pyrolysis (/methylation)-gas chromatography-mass spectrometry (1998)Characterisation of standard …Comparison and Research Progress of Protein Detection Technology for Cultural Relic Materials (2023)Comparison and Research Progr…The influence of colouring materials and artificial ageing on the occurrence of nonspecific peptides in protein binders (2022)The influence of colouring ma…Analysis of protein additives degradation in aged mortars using mass spectrometry and principal component analysis (2021)Analysis of protein additives…How to get your goat: automated identification of species from MALDI-ToF spectra (2020)How to get your goat: automat…Comparison of analytical tools appropriate for identification of proteinaceous additives in historical mortars (2017)Comparison of analytical tool…Multi‐analytical approach to the material characterization of 16th century wall paintings from R ibeira S acra ( G alicia, NW S pain): Pictorial palette, technique and alterations (2016)Multi‐analytical approach to …Peptide mass mapping as an effective tool for historical mortar analysis (2013)Peptide mass mapping as an ef…Complementary cross-section based protocol of investigation of polychrome samples of a 16th century Moravian Sculpture by optical, vibrational and mass spectrometric techniques (2013)Complementary cross-section b…Analysis of proteinaceous binding media used in Tang Dynasty polychrome pottery by MALDI-TOF-MS (2013)Analysis of proteinaceous bin…Proteinaceous binders identification in the works of art using ion-pairing free reversed-phase liquid chromatography coupled with tandem mass spectrometry (2012)Proteinaceous binders identif…Development of a dedicated peptide tandem mass spectral library for conservation science (2012)Development of a dedicated pe…Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art (2000)Laser induced breakdown spectroscopy and hyper-spectral imaging analysis of pigments on an illuminated manuscript (2001)Investigating the history of prehistoric glues by gas chromatography–mass spectrometry (2004)Towards proteomic analysis of milk proteins in historical building materials (2009)Multivariate chemical mapping of pigments and binders in easel painting cross-sections by micro IR reflection spectroscopy (2010)Protein identification and localization using mass spectrometry and staining tests in cross-sections of polychrome samples (2012)National Gallery Technical Bulletin (1979)Analysis of Aged Paint Binders by FTIR Spectroscopy (1990)Raman Spectra of Proteinaceous Materials Used in Paintings: A Multivariate Analytical Approach for Classification and Identification (2007)Proteomic strategies for the identification of proteinaceous binders in paintings (2009)Immunodetection of Proteins in Ancient Paint Media (2010)Painting Materials: A Short Encyclopedia (2011)Analytical Strategies for Characterizing Organic Paint Media Using Gas Chromatography/Mass Spectrometry (2010)Deamidation at Asparagine and Glutamine As a Major Modification upon Deterioration/Aging of Proteinaceous Binders in Mural Paintings (2011)Mass Spectrometric Identification of Adhesive Utilized in a Tian-tsui Tiara of the mid-Qing Dynasty (1776–1839 CE) in the Collection of the Tang Clan Folk Museum (2018)The Organic Chemistry of Museum Objects (1988)The potential of pyrolysis—gas chromatography/mass spectrometry in the recognition of ancient painting media (1993)Gas chromatographic-mass spectrometric approach to the problem of characterizing binding media in paintings (1996)Analytical study of traditional decorative materials and techniques used in Ming Dynasty wooden architecture. The case of the Drum Tower in Xi’an, P.R. of China (2004)A simple protocol for Matrix Assisted Laser Desorption Ionization- time of flight-mass spectrometry (MALDI-TOF-MS) analysis of lipids and proteins in single microsamples of paintings (2012)The Analysis of Synthetic Paints by Pyrolysis-Gas Chromatography-Mass Spectrometry (PyGCMS) (2001)Characterisation of wall paintings in the Sos Furrighesos necropolis (Anela, Italy) (2002)Molecular Pattern Recognition of Fresh and Aged Shellac (2003)Characterization of organic media in the wall-paintings of the “Palace of Nestor” at Pylos, Greece: evidence for a secco painting techniques in the Bronze Age (2012)Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)New Advances in the Application of FTIR Microscopy and Spectroscopy for the Characterization of Artistic Materials (2010)Identification of Organic Binders in Ancient Chinese Paintings by Immunological Techniques (2015)A new approach to the determination of the synthetic or natural origin of red pigments through spectroscopic analysis (2016)Late Gothic/early Renaissance gilding technology and the traditional poliment material “Armenian bole”: Truly red clay, or rather bauxite? (2016)The materials and techniques of medieval painting (1956)Electrochemical analysis of natural solid organic dyes and pigments (2003)Improved procedure for protein binder analysis in mural painting by LC-ESI/Q-q-TOF mass spectrometry: detection of different milk species by casein proteotypic peptides (2009)Tryptic peptide analysis of protein binders in works of art by liquid chromatography–tandem mass spectrometry (2009)A Decade of Raman Spectroscopy in Art and Archaeology (2007)Organic Mass Spectrometry in Art and Archaeology (2009)Characterization of proteins in cultural heritage using MALDI–TOF and LC–MS/MS mass spectrometric techniques (2018)Study of Materials and Technique of Late Baroque Stucco Decorations: Baldassarre Fontana from Ticino to Czechia (2021)Animal origin of 13th-century uterine vellum revealed using noninvasive peptide fingerprinting (2015)A biocodicological analysis of the medieval library and archive from Orval Abbey, Belgium (2021)Spectroscopic and mass spectrometry-based in-situ investigation of a 17th-century handwritten academic diploma on illuminated parchment (2023)A Concept for Co-Creation in Participatory Science: Insights From Developing the Archaeological Next Generation Lab (2025)Identification of diterpenes in canvas painting varnishes by gas chromatography–mass spectrometry with combined derivatisation (2003)An evaluation of GC‐MS and HPLC‐FD methods for analysis of protein binders in paintings (2006)
this work references cited by second hop

References

  • 2004Characterisation of proteinaceous binders in artistic paintings by chromatographic techniques115 cited
  • 2004Matrix‐assisted laser desorption/ionization time‐of‐flight mass spectrometry as a tool for fast identification of protein binders in color layers of paintings78 cited
  • 1998Characterisation of standard tempera painting layers containing proteinaceous binders by pyrolysis (/methylation)-gas chromatography-mass spectrometry59 cited
  • 2003Gas chromatography/mass spectrometry for the characterization of organic materials in frescoes of the Momumental Cemetery of Pisa (Italy)55 cited
  • 2005Analysis of organic colouring and binding components in colour layer of art works52 cited
  • 2001Identification by GC-FID and GC-MS of amino acids, fatty and bile acids in binding media used in works of art52 cited

Cited by

  • 2013Complementary cross-section based protocol of investigation of polychrome samples of a 16th century Moravian Sculpture by optical, vibrational and mass spectrometric techniques34 cited
  • 2013Peptide mass mapping as an effective tool for historical mortar analysis32 cited
  • 2020How to get your goat: automated identification of species from MALDI-ToF spectra28 cited
  • 2017Comparison of analytical tools appropriate for identification of proteinaceous additives in historical mortars26 cited
  • 2021Analysis of protein additives degradation in aged mortars using mass spectrometry and principal component analysis19 cited
  • 2012Development of a dedicated peptide tandem mass spectral library for conservation science

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15 cited
  • 2012Proteinaceous binders identification in the works of art using ion-pairing free reversed-phase liquid chromatography coupled with tandem mass spectrometry14 cited
  • 2013Analysis of proteinaceous binding media used in Tang Dynasty polychrome pottery by MALDI-TOF-MS13 cited
  • 2016Multi‐analytical approach to the material characterization of 16th century wall paintings from R ibeira S acra ( G alicia, NW S pain): Pictorial palette, technique and alterations13 cited
  • 2023Comparison and Research Progress of Protein Detection Technology for Cultural Relic Materials10 cited
  • 2022The influence of colouring materials and artificial ageing on the occurrence of nonspecific peptides in protein binders9 cited