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The Wake of Terror: Don Delillo’s “In The Ruins of The Future,” “Baader-Meinhof,” and Falling Man
11 references·5 citing·30 second hop
The Wake of Terror: Don Delillo’s “In The Ruins of The Future,” “Baader-Meinhof,” and Falling Man (2008)The Wake of Terror: Don Delillo’s “In The…The Four Fundamental Concepts of Psycho-Analysis (2018)The Four Fundamental Concepts…The Work of Art in the Age of Mechanical Reproduction (2007)The Work of Art in the Age of…The Great Theft: Wrestling Islam from the Extremists (2006)The Great Theft: Wrestling Is…Against All Enemies: Inside America's War on Terror (2004)Against All Enemies: Inside A…Crimes of Art and Terror (2003)Crimes of Art and TerrorBenjamin's "Ghosts": Interventions in Contemporary Literary and Cultural Theory (2003)Benjamin's "Ghosts": Interven…Gerhard Richter: October 18, 1977 (2000)Gerhard Richter: October 18, …The Daily Practice of Painting Writings and Interviews 1962-1993 (1995)The Daily Practice of Paintin…Beyond Recognition: Representation, Power, and Culture (1992)Beyond Recognition: Represent…The sublime object of ideology (1990)The sublime object of ideologyThe poems of John Milton (1925)The poems of John MiltonUnderstanding Don DeLillo (2015)Understanding Don DeLilloGatsby’s Ghost: Post-Traumatic Memory and National Literary Tradition in Joseph O’Neill’s Netherland (2013)Gatsby’s Ghost: Post-Traumati…Embedded and Embodied Memories: Body, Space, and Time in Don DeLillo's White Noise and Falling Man (2013)Embedded and Embodied Memorie…The Languishing of the Falling Man: Don Delillo and Jonathan Safran Foer’s Photographic History of 9/11 (2011)The Languishing of the Fallin…Don Delillo’s Falling Man and the Age of Terror (2011)Don Delillo’s Falling Man and…Disjuncture and Difference in the Global Cultural Economy (1990)Can Consumers Escape the Market? Emancipatory Illuminations from Burning Man (2002)Extended Self in a Digital World: Table 1. (2013)Purity and Danger on the West Bank of the Severn: The Cultural Geography of A Masque Presented at Ludlow Castle, 1634 (1997)Between Satan and Mephistopheles: Byron and the Devil (2006)First Similes in Epic (2014)Trauma and the Memory of Politics (2003)Democracy of Objects (2011)Rethinking Critical Theory and Qualitative Research (2011)Alternative Perspectives on the Student Experience: Alienation and engagement (2001)Language and Sexuality (2003)No one is perfect: The limits of transparency and an ethic for ‘intelligent’ accountability (2009)Contradictory Modernities: Conceptions of Nature in the Art of Joseph Beuys and Gerhard Richter (1997)On the Epistemic Value of Photographs (2004)Who Are the Greatest Living Artists? The View from the Auction Market (2005)Nationalisms and Sexualities (1993)“The question of belief”: writing poststructural ethnography (1995)Anywhere or not at all: philosophy of contemporary art (2014)12 The Gendered Cycle of Vulnerability in the Less Developed World (2009)The Awakening of Muslim Democracy: Religion, Modernity, and the State (2014)Islamic Studies in Higher Education in Indonesia: Challenges, Impact and Prospects for the World Community (2017)Authentic Ruins (2009)Stories of the Undead in the Land of the Unburied: Magical Historicism in Contemporary Russian Fiction (2009)Flânerieand the globalizing city (2011)Culture, Crisis and America's War on Terror (2006)Risk and the War on Terror (2008)Norm Regress: US Revisionism and the Slow Death of the Torture Norm (2009)Wordsworth, Commodification, and Social Concern (2009)Martial Arts as Embodied Knowledge: Asian Traditions in a Transnational World (2011)The Cambridge History of the American Novel (2011)
this work references cited by second hop

References

  • 1990The sublime object of ideology5,690 cited
  • 2018The Four Fundamental Concepts of Psycho-Analysis3,917 cited
  • 2007The Work of Art in the Age of Mechanical Reproduction3,820 cited
  • 2004Against All Enemies: Inside America's War on Terror473 cited
  • 2006The Great Theft: Wrestling Islam from the Extremists356 cited
  • 1992Beyond Recognition: Representation, Power, and Culture312 cited
  • 2003Crimes of Art and Terror128 cited
  • 2003Benjamin's "Ghosts": Interventions in Contemporary Literary and Cultural Theory83 cited
  • 1925The poems of John Milton71 cited
  • 1995The Daily Practice of Painting Writings and Interviews 1962-199367 cited
  • 2000Gerhard Richter: October 18, 197734 cited

Cited by

  • 2013Gatsby’s Ghost: Post-Traumatic Memory and National Literary Tradition in Joseph O’Neill’s Netherland35 cited
  • 2015Understanding Don DeLillo26 cited
  • 2011Don Delillo’s Falling Man and the Age of Terror22 cited
  • 2011The Languishing of the Falling Man: Don Delillo and Jonathan Safran Foer’s Photographic History of 9/1122 cited
  • 2013

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Embedded and Embodied Memories: Body, Space, and Time in Don DeLillo's White Noise and Falling Man
20 cited