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Sing a Song of Drug Use‐Abuse: Four Decades of Drug Lyrics in Popular Music–From the Sixties through the Nineties
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Sing a Song of Drug Use‐Abuse: Four Decades of Drug Lyrics in Popular Music–From the Sixties through the Nineties (2001)Sing a Song of Drug Use‐Abuse: Four Decad…Subculture (2010)SubcultureAn Introduction to Theories of Popular Culture (2004)An Introduction to Theories o…An Introduction to Cultural Theory and Popular Culture (1998)An Introduction to Cultural T…Mapping the Beat: Popular Music and Contemporary Theory (1997)Mapping the Beat: Popular Mus…The Influence Of Misogynous Rap Music On Sexual Aggression Against Women (1995)The Influence Of Misogynous R…Producing Artistic Value: The Case of Rock Music (1994)Producing Artistic Value: The…What's happening on Music Television? A gender role content analysis (1993)What's happening on Music Tel…Running with the devil: power, gender, and madness in heavy metal music (1993)Running with the devil: power…The Effect of Country Music on Suicide (1992)The Effect of Country Music o…Heavy Metal: A Cultural Sociology. (1992)Heavy Metal: A Cultural Socio…Systems of articulation, logics of change: Communities and scenes in popular music (1991)Systems of articulation, logi…Feminism and Youth Culture (1991)Feminism and Youth CultureThe Use and Experience of the New Video Media Among Children and Young Adolescents (1990)The Use and Experience of the…Feminist Thought: A Comprehensive Introduction. (1990)Feminist Thought: A Comprehen…One Chord Wonders: Power and Meaning in Punk Rock (1985)One Chord Wonders: Power and …Television and social behavior: Beyond violence and children (1980)Television and social behavio…It’s...Complicated: A Theoretical Model of Music-Induced Harm (2020)It’s...Complicated: A Theoret…“The Who live in Sinaloa”: videomemes musicales, punctum, contrapunto cognitivo y lecturas oblicuas (2020)“The Who live in Sinaloa”: vi…The Representation of Altruistic and Egoistic Motivations in Popular Music over 60 Years (2018)The Representation of Altruis…La rue comme héroïne: expériences punk et skinhead en France (2014)La rue comme héroïne: expérie…To Hell and Back: Excessive Drug Use, Addiction, and the Process of Recovery in Mainstream Rock Autobiographies (2012)To Hell and Back: Excessive D…The Presentation of Identity in the Work Songs of Johnny Cash (2012)The Presentation of Identity …Narrative, Interpretation, and the Popular Song (2012)Narrative, Interpretation, an…Drinking to Death: Traditional Masculinity, Alcohol and Shame in Finnish Metal Lyrics (2011)Drinking to Death: Traditiona…‘Crack down on the celebrity junkies’: Does media coverage of celebrity drug use pose a risk to young people? (2010)‘Crack down on the celebrity …Percepção de letras de músicas como inspiradoras de comportamentos antissociais e pró-sociais (2009)Percepção de letras de música…Rebellion in the Top Music Charts (2008)Rebellion in the Top Music Ch…What’s the Rap About Ecstasy? (2006)What’s the Rap About Ecstasy?Harm and Offence in Media Content: A Review of the Evidence (2006)Harm and Offence in Media Con…Addicted Media: Substances on Screen (2005)Addicted Media: Substances on…Distinction. A Social Critique of the Judgement of Taste (1985)Postmodernism, or, The cultural logic of late capitalism (1991)Classification as Culture: Types and Trajectories of Music Genres (2008)Cultural sociology and new forms of distinction (2015)Distinction: A Social Critique of the Judgement of Taste* (2018)From Aristocratic to Ordinary: Shifting Modes of Elite Distinction (2020)CULTURE AND SOCIETY (1959)Six Guns and Society: A Structural Study of the Western. (1976)Popular Appeal Versus Expert Judgments of Motion Pictures (1999)Images of Women?s Sexuality in Advertisements: A Content Analysis of Black- and White-Oriented Women?s and Men?s Magazines (2005)News and Nuances of the Entrepreneurial Myth and Metaphor: Linguistic Games in Entrepreneurial Sense–Making and Sense–Giving (2005)3.2. MARXISM AND LITERATURE (2006)Marxism and the philosophy of language (1973)The Body in the Mind (1987)Subculture: The Meaning of Style (1995)Music in Everyday Life (2000)Authenticity as authentication (2002)La distinction, critique sociale du jugement (1980)Dance and the Body Politic in Northern Greece (1990)Club cultures: music, media and subcultural capital (1996)INDIE: THE INSTITUTIONAL POLITICS AND AESTHETICS OF A POPULAR MUSIC GENRE (1999)Subcultures, Scenes or Tribes? None of the Above (2005)There Ain't No Black in the Union Jack (2013)Masculinity, Femininity, and Sex Role Attitudes in Early Adolescence: Exploring Gender Intensification (1990)Masculinity, Femininity, and Sex Role Attitudes in Early Adolescence: Exploring Gender Intensification (1990)Objectification Theory: Toward Understanding Women's Lived Experiences and Mental Health Risks (1997)Sex and Gender: An Introduction (2001)Gender‐Based Violence (2006)Gender Development (2007)"Anything But Heavy Metal": Symbolic Exclusion and Musical Dislikes (1996)SUBCULTURES OR NEO‐TRIBES? RETHINKING THE RELATIONSHIP BETWEEN YOUTH, STYLE AND MUSICAL TASTE (1999)The Politics of Emotion: A Feminist Reading of Bounded Rationality (1992)Knowledge in a Social World (1999)Theories of Gender in Organizations: A New Approach to Organizational Analysis and Change11We are grateful to Lotte Bailyn and our colleagues affiliated with the Center for Gender in Organizations, Simmons Graduate School of Management – Gill Coleman, Joyce Fletcher, Deborah Kolb, Deborah Merrill-Sands, Rhona Rapoport, and Bridgette Sheridan – for their contributions to these ideas and for their foundational research, on which this paper builds. We also appreciate the feedback we received on an earlier draft from members of the FSC Research Group, Elaine Backman, Herminia Ibarra, Maureen Scully, and Kathleen Valley. We thank Joanne Martin and Barbara Reskin for their comments, which helped in our conceptual framing of the paper. Finally, we thank Bob Sutton and Barry Staw for their helpful suggestions. This research was funded in part by the Ford Foundation. (2000)Sexual Dissidence (1991)Youth and Cultural Practice (2002)The Production of Culture Perspective (2004)INTIMACY TRANSFORMED? A CRITICAL LOOK AT THE ‘PURE RELATIONSHIP’ (1999)The SAGE Dictionary of Cultural Studies (2004)
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References

  • 2010Subculture1,298 cited
  • 1991Feminism and Youth Culture1,075 cited
  • 1993Running with the devil: power, gender, and madness in heavy metal music944 cited
  • 1991Systems of articulation, logics of change: Communities and scenes in popular music895 cited
  • 2004An Introduction to Theories of Popular Culture842 cited
  • 1990Feminist Thought: A Comprehensive Introduction.398 cited
  • 1985One Chord Wonders: Power and Meaning in Punk Rock289 cited
  • 1994Producing Artistic Value: The Case of Rock Music281 cited
  • 1992Heavy Metal: A Cultural Sociology.264 cited
  • 1993What's happening on Music Television? A gender role content analysis198 cited
  • 1997Mapping the Beat: Popular Music and Contemporary Theory183 cited
  • 1998An Introduction to Cultural Theory and Popular Culture180 cited
  • 1995The Influence Of Misogynous Rap Music On Sexual Aggression Against Women125 cited
  • 1990The Use and Experience of the New Video Media Among Children and Young Adolescents109 cited
  • 1992The Effect of Country Music on Suicide98 cited
  • 1980Television and social behavior: Beyond violence and children

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  • 2010‘Crack down on the celebrity junkies’: Does media coverage of celebrity drug use pose a risk to young people?32 cited
  • 2012To Hell and Back: Excessive Drug Use, Addiction, and the Process of Recovery in Mainstream Rock Autobiographies29 cited
  • 2005Addicted Media: Substances on Screen25 cited
  • 2008Rebellion in the Top Music Charts24 cited
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  • 2018The Representation of Altruistic and Egoistic Motivations in Popular Music over 60 Years17 cited
  • 2014La rue comme héroïne: expériences punk et skinhead en France4 cited
  • 2012The Presentation of Identity in the Work Songs of Johnny Cash3 cited
  • 2009Percepção de letras de músicas como inspiradoras de comportamentos antissociais e pró-sociais3 cited
  • 2020“The Who live in Sinaloa”: videomemes musicales, punctum, contrapunto cognitivo y lecturas oblicuas2 cited