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Another history of bluegrass: The segregation of popular music in the United States, 1820–1900
16 references·1 citing·29 second hop
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this work references cited by second hop

References

  • 1991The Condition of Postmodernity8,605 cited
  • 1986The Invention of Tradition7,087 cited
  • 2020The Condition of Postmodernity1,837 cited
  • 1996Critical Race Theory: The Cutting Edge.1,560 cited
  • 1989Highbrow/lowbrow: the emergence of cultural hierarchy in America899 cited
  • 1996Love and Theft: Blackface Minstrelsy and the American Working Class.803 cited
  • 1978Black Culture and Black Consciousness: Afro-American Folk Thought from Slavery to Freedom723 cited
  • 1997The illusions of postmodernism689 cited
  • 1991The souls of black folks661 cited
  • 1978Black Culture and Black Consciousness: Afro-American Folk Thought from Slavery to Freedom602 cited
  • 1994Love and theft: blackface minstrelsy and the American working class474 cited
  • 1972American Counterpoint: Slavery and Racism in the North-South Dialogue.139 cited
  • 1991Postmodernism and its critics130 cited
  • 1965Hillbilly Music: Source and Symbol117 cited
  • 1979Sinful Tunes and Spirituals: Black Folk Music to the Civil War.116 cited
  • 1985Bluegrass Breakdown: The Making of the Old Southern Sound

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  • 2020Ragtime Country4 cited