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Ibeji Images of the Yoruba
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Ibeji Images of the Yoruba (1973)Ibeji Images of the YorubaNotes from the Surface of the Image (2013)Notes from the Surface of the…Èjìwàpò: The Dialectics of Twoness in Yoruba Art and Culture (2008)Èjìwàpò: The Dialectics of Tw…Yoruba Photography (2003)Yoruba PhotographyThe Making of Professional “Savages” (2003)The Making of Professional “S…The Japanese Colonial Eye (2003)The Japanese Colonial EyeThe Changing Photographic Contract (2003)The Changing Photographic Con…Growing Up with Aborigines (2003)Growing Up with AboriginesSome Notes on Animal Symbolism in African Religion and Culture (1993)Some Notes on Animal Symbolis…African Visual Arts from an Art Historical Perspective (1989)African Visual Arts from an A…African Visual Arts from a Social Perspective (1989)African Visual Arts from a So…The Living Dead: Art and Immortality among the Yoruba of Nigeria (1977)The Living Dead: Art and Immo…Yoruba culture : a geographical analysis (1966)Ifa Divination: Communication between Gods and Men in West Africa (1970)‘The West African Journal of Archaeology’ (1972)The Gift: Forms and Functions of Exchange in Archaic Societies. (1956)Purity and Danger (1966)Essays on the Verbal and Visual Arts (1968)A Theoretical Basis for Non-Western Art History Instruction (1993)Follow the Money: Economics and African Art (2016)African Religions and Philosophy (1970)The Yoruba of Southwestern Nigeria. (1970)Guns and Rain: Guerrillas and Spirit Mediums in Zimbabwe (1987)Hayvan Temelli Halk İnanışları ve Geleneksel Şifa Uygulamaları: Güneydoğu Anadolu Örneği (2024)Writing Culture: The Poetics and Politics of Ethnography (1986)The Predicament of Culture (1988)Exploding Canons: The Anthropology of Museums (1993)Current Perspectives in the Archaeology of Ghana (2014)Art and Illusion (2017)Yoruba Art and Language: Seeking the African in African Art (2017)Olodumare: God in Yoruba Belief (1966)Ife in the History of West African Sculpture. (1968)The Arts of Egungun among Yoruba Peoples (1978)The Yoruba ontology of personality and motivation: a multidisciplinary approach*1, *2 (1981)Verbal and visual metaphors: mythical allusions in Y aruba ritualistic art ofOrí (1987)Discipline and Punish: The Birth of the Prison (1978)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)Provincializing Europe: Postcolonial Thought and Historical Difference (2001)Imprinting on the Heart: Photography and Contemporary Yolngu Mournings (2008)The photograph as archive: Crafting contemporary Koorie culture (2018)Muybridge and the Imperial Pacific: Fashioning Histories of Empire and the Coffee State, 1867–1876 (2023)5. The Practice of Everyday Life (2000)“Exposing Yourself a Second Time”: Visual Repatriation in Scandinavian Sápmi (2013)Imagined Communities: Reflections on the Origin and Spread of Nationalism (1984)Camera Lucida: Reflections on Photography (2001)AN EXCESS OF DESCRIPTION: Ethnography, Race, and Visual Technologies (2005)PHOTOGRAPHS AND THE SOUND OF HISTORY (2005)The Disappeared: images of the environment at Freetown's urban margins (2007)Aesthetics of Acquisition: Notes on the Transactional Life of Persons and Things in Gabon (2015)“But they were never only the master’s tools”: the use of photography in de-colonial praxis (2017)
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Cited by

  • 1989African Visual Arts from an Art Historical Perspective48 cited
  • 1977The Living Dead: Art and Immortality among the Yoruba of Nigeria46 cited
  • 1993Some Notes on Animal Symbolism in African Religion and Culture28 cited
  • 1989African Visual Arts from a Social Perspective28 cited
  • 2003Yoruba Photography26 cited
  • 2003The Changing Photographic Contract25 cited
  • 2003Growing Up with Aborigines22 cited
  • 2008Èjìwàpò: The Dialectics of Twoness in Yoruba Art and Culture21 cited
  • 2003The Making of Professional “Savages”18 cited
  • 2003The Japanese Colonial Eye12 cited
  • 2013Notes from the Surface of the Image10 cited

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