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Making music behave: Metadata and the digital music commodity

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References

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137 cited

Cited by

2021“Splendid Isolation”: The reproduction of music industry inequalities in Spotify’s recommendation system45 cited
2014There Is No Music Industry39 cited
2017Tracking Gendered Streams30 cited
2016Close reading big data: The Echo Nest and the production of (rotten) music metadata28 cited
2018Música na era do streaming: curadoria e descoberta musical no Spotify16 cited
2022A Conceptual Framework on the Relationship of Digital Technology and Art14 cited
2020Popular Music, Technology, and the Changing Media Ecosystem10 cited
2020The music streaming metaphor and its underlying tangle of transcodes10 cited
2024From P2P to the cloud: music, platformization, and infrastructural change in China8 cited
2013Technologies of Piracy? Exploring the Interplay Between Commercialism and Idealism in the Development of MP3 and DivX6 cited
2017“Hear the World’s Sounds”: Locality as Metadata in Two Music-Streaming Services3 cited
2020Rethinking criticism about lossy compression: Sound fidelity, large-scale production and audio capital in pop music3 cited
2015“Now Playing. You”: Big Data and the Production of Music Streaming Space.3 cited
2021How streamification challenges the Royal Danish Library’s collection of cultural heritage2 cited
2012MP3s, rebundled debt, and performative economics: Deferral, derivatives, and digital commodity fetishism in Lady Gaga’s spectacle of excess2 cited
2023Archives of change1 cited