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Women in Motion: Loie Fuller and the “Interpenetration” of Art and Science
16 references·2 citing·30 second hop
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References

  • 2007The Work of Art in the Age of Mechanical Reproduction3,820 cited
  • 1991Techniques of the observer: on vision and modernity in the nineteenth century2,953 cited
  • 1990Hard core: power, pleasure, and "the frenzy of the visible"1,584 cited
  • 1973Charles Baudelaire: A Lyric Poet in the Era of High Capitalism1,514 cited
  • 1987Cheap Amusements: Working Women and Leisure in Turn-of-the-Century New York857 cited
  • 1987Studies in Entertainment: Critical Approaches to Mass Culture625 cited
  • 2017No Place of Grace: Antimodernism and the Transformation of American Culture, 1880-1920586 cited
  • 2017All the World's a Fair: Visions of Empire at American International Expositions, 1876-1916447 cited
  • 1992Babel and Babylon: Spectatorship in American Silent Film.408 cited
  • 1993Picturing time: the work of Etienne-Jules Marey (1830-1904)360 cited
  • 1997Parallel tracks: the railroad and silent cinema336 cited
  • 1982Steppin' Out: New York Nightlife and the Transformation of American Culture, 1890-1930291 cited
  • 1955The Human Figure in Motion195 cited
  • 1988The Futurist Moment: Avant-Garde, Avant Guerre, and the Language of Rupture155 cited
  • 1990Vision and Difference: Femininity, Feminism and the Histories of Art

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139 cited
  • 1997Edison motion pictures, 1890-1900 : an annotated filmography124 cited
  • Cited by

    • 2012“SOME TRICK OF THE MOONLIGHT”: SEDUCTION AND THE MOVING IMAGE IN BRAM STOKER'S DRACULA16 cited
    • 2011White Womanhood, Property Rights, and the Campaign for Choreographic Copyright: Loïe Fuller's Serpentine Dance15 cited