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From the margins to mainstream: the political power of hip-hop
8 references·16 citing·40 second hop
From the margins to mainstream: the political power of hip-hop (1998)From the margins to mainstream: the polit…FIGHT THE POWER: Rap, Race, and Reality (2020)FIGHT THE POWER: Rap, Race, a…The Power of Black Music: Interpreting its History from Africa to the United States. (1997)The Power of Black Music: Int…Black Nationalism and Rap Music (1996)Black Nationalism and Rap Mus…The State of Rap: Time and Place in Hip Hop Nationalism (1993)The State of Rap: Time and Pl…Rap Music: An Education with a Beat from the Street (1991)Rap Music: An Education with …Domination and the arts of resistance: hidden transcripts (1991)Domination and the arts of re…Annual Meeting of the American Political Science Association (1917)Annual Meeting of the America…Afro-American folksongs : a study in racial and national music (1914)Afro-American folksongs : a s…The Aesthetics of Global Protest (2020)The Aesthetics of Global Prot…From Underground to Mainstream and Then What? Empowerment and Censorship in China’s Hip-Hop Music (2020)From Underground to Mainstrea…Of Commodities and Objects: Women and Their Representations in Nigerian Hip-Hop (2017)Of Commodities and Objects: W…Globalization in the margins: toward a re-evalution of language and mobility (2014)Globalization in the margins:…Greek hip hop: Local and translocal authentication in the restricted field of production (2013)Greek hip hop: Local and tran…THOUGHT PIECE No harm done? Culture-based branding and its impact on consumer vulnerability: A research agenda (2011)THOUGHT PIECE No harm done? C…Tragic Narratives in Popular Culture: Depictions of Homicide in Rap Music1 (2009)Tragic Narratives in Popular …Music preferences and civic activism of young people (2008)Music preferences and civic a…“Drop It Like It's Hot” (2008)“Drop It Like It's Hot”Arabic Hip Hop: Claims of Authenticity and Identity of a New Genre (2007)Arabic Hip Hop: Claims of Aut…“Drop It like It's Hot”: Culture Industry Laborers and Their Perspectives on Rap Music Video Production (2007)“Drop It like It's Hot”: Cult…"All I Need Is One Mic": Mobilizing Youth for Social Change in the Post-Civil Rights Era (2006)"All I Need Is One Mic": Mobi…Rise up hip hop nation: From deconstructing racial politics to building positive solutions (2004)Rise up hip hop nation: From …Keepin' it Real (2003)Keepin' it RealViolence and consumption imagery in music videos (2002)Violence and consumption imag…All along the border: Kid frost and the performance of brown masculinity (2000)All along the border: Kid fro…The history, civil and commercial, of the British colonies in the West Indies, (1793)Journal of a Residence on a Georgian Plantation in 1838-1839. (1961)Ring Shout! Literary Studies, Historical Studies, and Black Music Inquiry (2002)The Poetics of National and Racial Identity in Nineteenth-Century American Literature (2003)Anthropologie der Naturvölker (2009)The Cambridge History of Music Criticism (2019)The Presentation of Self in Everyday Life. (1956)Handbook of Theory and Research for the Sociology of Education. (1987)Gender Trouble: Feminism and the Subversion of Identity (1991)Schooling Behaviors or Prior Skills? A Cautionary Tale of Omitted Variable Bias Within Oppositional Culture Theory (2007)Sexuality Education in the United States: Shared Cultural Ideas across a Political Divide (2012)Nicki Minaj and the Changing Politics of Hip-Hop: Real Blackness, Real Bodies, Real Feminism? (2017)The Afrocentric Idea (1990)Freaks, gold diggers, divas, and dykes: The sociohistorical development of adolescent African American women’s sexual scripts (2003)Rap and Race (2003)We can Relate (2006)The Global City (1991)Super-diversity and its implications (2007)The Sociolinguistics of Globalization (2010)Digital superdiversity: A commentary (2014)Buttering their bread on both sides? (2017)Complicating raciolinguistics: Language, Chineseness, and the Sinophone (2020)Rule of darkness: British literature and imperialism, 1830-1914 (1988)»Sicher in Kreuzberg« (2001)Global Ill-Literacies (2011)“Those Loud Black Girls”: (Black) Women, Silence, and Gender “Passing” in the Academy (1993)Rap Music and Its Violent Progeny: America's Culture of Violence in Context (2002)“I See Death around the Corner”: Nihilism in Rap Music (2005)Riffs, Repetition, and Theories of Globalization (1999)The Rise of a Jazz Art World (2002)Race, Blacksound, and the (Re)Making of Musicological Discourse (2019)Sovereignty (1988)Political Partisanship and Welfare State Reform in Advanced Industrial Societies (2004)Why Do Some Civil Wars Last So Much Longer than Others? (2004)What Is Agency? (1998)Language and Agency (2001)The Moral Significance of Class (2005)Enhancing critical consciousness in young African American men: A psychoeducational approach. (2002)RACIALIZATION, GENDER, AND THE NEGOTIATION OF POWER IN STOCKHOLM’S AFRICAN DANCE COURSES (2006)Hip-Hop & the Global Imprint of a Black Cultural Form (2011)
this work references cited by second hop

References

  • 1991Domination and the arts of resistance: hidden transcripts6,530 cited
  • 1917Annual Meeting of the American Political Science Association1,064 cited
  • 1997The Power of Black Music: Interpreting its History from Africa to the United States.330 cited
  • 1914Afro-American folksongs : a study in racial and national music150 cited
  • 2020FIGHT THE POWER: Rap, Race, and Reality135 cited
  • 1996Black Nationalism and Rap Music117 cited
  • 1993The State of Rap: Time and Place in Hip Hop Nationalism111 cited
  • 1991Rap Music: An Education with a Beat from the Street91 cited

Cited by

  • 2003Keepin' it Real172 cited
  • 2014Globalization in the margins: toward a re-evalution of language and mobility62 cited
  • 2007Arabic Hip Hop: Claims of Authenticity and Identity of a New Genre53 cited
  • 2006"All I Need Is One Mic": Mobilizing Youth for Social Change in the Post-Civil Rights Era51 cited
  • 2008“Drop It Like It's Hot”46 cited
  • 2013Greek hip hop: Local and translocal authentication in the restricted field of production37 cited
  • 2017Of Commodities and Objects: Women and Their Representations in Nigerian Hip-Hop34 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

  • 2009Tragic Narratives in Popular Culture: Depictions of Homicide in Rap Music131 cited
  • 2007“Drop It like It's Hot”: Culture Industry Laborers and Their Perspectives on Rap Music Video Production31 cited
  • 2020From Underground to Mainstream and Then What? Empowerment and Censorship in China’s Hip-Hop Music25 cited
  • 2000All along the border: Kid frost and the performance of brown masculinity25 cited
  • 2008Music preferences and civic activism of young people23 cited
  • 2002Violence and consumption imagery in music videos21 cited
  • 2011THOUGHT PIECE No harm done? Culture-based branding and its impact on consumer vulnerability: A research agenda20 cited
  • 2004Rise up hip hop nation: From deconstructing racial politics to building positive solutions19 cited
  • 2020The Aesthetics of Global Protest19 cited