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Nepomuceno e Brahms: A Questão da Influência Revisitada
16 references·0 citing·26 second hop
Nepomuceno e Brahms: A Questão da Influência Revisitada (2011)Nepomuceno e Brahms: A Questão da Influên…The Cambridge history of nineteenth-century music (2002)The Cambridge history of nine…The Early Works of Arnold Schoenberg 1893–1908 (1993)The Early Works of Arnold Sch…Brahms studies: analytical and historical perspectives (1991)Brahms studies: analytical an…Style and music: theory, history, and ideology (1990)Style and music: theory, hist…Nineteenth-century music (1989)Nineteenth-century musicNineteenth-century music (1989)Nineteenth-century musicSchoenberg and the New Music (1988)Schoenberg and the New MusicTHE PLACE OF INTERTEXTUALITY IN MUSIC STUDIES (1985)THE PLACE OF INTERTEXTUALITY …Brahms: Biographical, Documentary, and Analytical Studies (1984)Brahms: Biographical, Documen…Brahms and Twentieth-Century Classical Music (1984)Brahms and Twentieth-Century …Brahms and the Principle of Developing Variation (1984)Brahms and the Principle of D…Foundations of Music History (1983)Foundations of Music HistoryThe New Grove Dictionary of Music and Musicians (1982)The New Grove Dictionary of M…Music in Latin America: An Introduction (1980)Music in Latin America: An In…The beginnings of musical nationalism in Brazil. (1971)The beginnings of musical nat…Fundamentals of Musical Composition (1968)Fundamentals of Musical Compo…The Imaginary Museum of Musical Works (1994)Action, Criticism and Theory for Music Education (2004)Schema Theory as a Construction Grammar (2015)The Marriage of Edward III and the Transmission of French Motets to England (1992)The earliest writing? Sign use in the seventh millennium BC at Jiahu, Henan Province, China (2003)Phylogenetics and Material Cultural Evolution (2007)Late-Nineteenth-Century Chamber Music and the Cult of the Classical Adagio (1999)Choral fantasies: music, festivity, and nationhood in nineteenth-century Germany (2013)Cadential processes: The evaded cadence and the “one more time” technique (1992)Schoenberg's Musical Imagination (2007)Music as Discourse (2008)Genre and content in mid-century Verdi: ‘Addio, del passato’ (La traviata, Act III) (1989)Memory and Rhetorical Trope in Schoenberg's String Trio (1998)Musical Witness and Holocaust Representation (2015)The Dahlhaus Project and Its Extra-Musicological Sources (1991)Music and the Politics of Sound: Nationalism, Citizenship, and Auditory Space (2000)The Cambridge History of Music Criticism (2019)Beethoven 1806 (2019)Writing about Popular Music (2019)The Cambridge Companion to the Eroica Symphony (2020)Musicking — the meanings of performing and listening. A lecture (1999)Playing with History (2002)Themes and Double Themes: The Problem of the Symphonic in Brahms (1994)Brahms and the Poetic Motto: A Hermeneutic Aid? (1997)Brahms and Schenker: A Mutual Response to Sonata Form (1994)Atonality, Analysis, and the Intentional Fallacy (1996)
this work references cited by second hop

References

  • 1989Nineteenth-century music628 cited
  • 1990Style and music: theory, history, and ideology488 cited
  • 1968Fundamentals of Musical Composition457 cited
  • 1983Foundations of Music History364 cited
  • 1982The New Grove Dictionary of Music and Musicians200 cited
  • 1984Brahms and the Principle of Developing Variation189 cited
  • 2002The Cambridge history of nineteenth-century music137 cited
  • 1984Brahms: Biographical, Documentary, and Analytical Studies136 cited
  • 1991Brahms studies: analytical and historical perspectives122 cited
  • 1988Schoenberg and the New Music89 cited
  • 1984Brahms and Twentieth-Century Classical Music62 cited
  • 1985THE PLACE OF INTERTEXTUALITY IN MUSIC STUDIES62 cited
  • 1989Nineteenth-century music51 cited
  • 1993The Early Works of Arnold Schoenberg 1893–190850 cited
  • 1980Music in Latin America: An Introduction40 cited
  • 1971The beginnings of musical nationalism in Brazil.25 cited

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