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Sorapet Pinyoo and the status ofpleeng luuk tung
15 references·2 citing·30 second hop
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References

  • 1986Noise: The Political Economy of Music1,617 cited
  • 1988Noise... The Political Economy of Music600 cited
  • 1996Sounds and society: themes in the sociology of music240 cited
  • 1961Speech Melody and Song Melody in Central Thailand85 cited
  • 1998Dance of life: popular music and politics in Southeast Asia78 cited
  • 2005Trajectories63 cited
  • 2017Dance of Life50 cited
  • 2004Refashioning Pop Music in Asia: Cosmopolitan Flows, Political Tempos, and Aesthetic Industries46 cited
  • 1985Beats of the heart : popular music of the world46 cited
  • 1990Commercialising the sound of the people: Pleng Luktoong and the Thai pop music industry30 cited
  • 2004Constructions of Nation and the Classicisation of Music: Comparative Perspectives from Southeast and South Asia24 cited
  • 1986Songs for Life: Leftist Thai Popular Music in the 1970s22 cited
  • 2006Lukthung: Authenticity and Modernity in Thai Country Music20 cited
  • 2005From Country Hick to Rural Hip: A New Identity Through Music for Northeast Thailand17 cited
  • 2003Thai Classical Singing: Its History, Musical Characteristics and Transmission12 cited

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Cited by

  • 2011Kon baan diaokan or ‘we’re from the same village’7 cited
  • 2016The Rabbit Record Brand of Siam/Thailand 1925–1970: Assessing the Legacy of T. Ngekchuan5 cited