References

• 1988Generalized Musical Intervals and Transformations487 cited
• 1975Style and Idea: Selected Writings of Arnold Schoenberg237 cited
• 1987Composition With Pitch-Classes167 cited
• 1960TWELVE-TONE INVARIANTS AS COMPOSITIONAL DETERMINANTS115 cited
• 1990Composition with Pitch Classes: A Theory of Compositional Design91 cited
• 1961Set Structure as a Compositional Determinant87 cited
• 1962Serial Composition and Atonality80 cited
• 1988Some Implications of the Pitch Class/Order Number Isomorphism Inherent in the Twelve-Tone System: Part One51 cited
• 1991Serial Composition and Atonality47 cited
• 1963The path to the new music44 cited
• 1978Sets, Invariance and Partitions32 cited
• 2005Generalized Contextual Groups19 cited
• 1989Some Implications of the Pitch-Class/Order-Number Isomorphism Inherent in the Twelve-Tone System Part Two: The Mallalieu Complex: Its Extensions and Related Rows16 cited
• 2009Mathematics and the Twelve-Tone System: Past, Present, and Future11 cited
• 1996Linear Ordering of the Chromatic Aggregate in Classical Symphonic Music10 cited
• 1985