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Sounds of Inferno
6 references·0 citing·19 second hop
Sounds of Inferno (2011)Sounds of InfernoMedieval Optics and Theories of Light in the Works of Dante (2000)Medieval Optics and Theories …The pearly gates of cyberspace: a history of space from Dante to the Internet (1999)The pearly gates of cyberspac…Singing the Book: Orality in the Reception of Dante’s Comedy (1997)Singing the Book: Orality in …Oral poetry: An introduction (1990)Oral poetry: An introductionLa Commedia, secondo l'antica vulgata (1969)La Commedia, secondo l'antica…The Addresses to the Reader in the "Commedia" (1955)The Addresses to the Reader i…The Culture of Time and Space, 1880-1918 (1983)The religion of technology: the divinity of man and the spirit of invention (1998)Ethics of Internet research: Contesting the human subjects research model (2002)From Cyber to Hybrid (2006)‘Authentic but not too much’: exploring perceptions of authenticity of virtual tourism (2016)The Cambridge History of Literary Criticism (2005)The Metaphysics of Dante's Comedy (2005)The Mismeasure of the Self (2021)Toward a Theory of the Engaging Narrator: Earnest Interventions in Gaskell, Stowe, and Eliot (1986)Discourses of Mourning in Dante, Petrarch, and Proust (2016)The Cambridge Companion to Dante's ‘Commedia' (2018)Oralność i piśmienność. Słowo poddane technologii (2011)The Great Unwritten: World Literature and the Effacement of Orality (2013)Vernacular Translators in Quattrocento Italy (2017)The Ethics of Listening: Cassette‐SermonAudition in Contemporary Egypt (2001)The Cambridge Companion to Textual Scholarship (2012)Sons of the Gods, Children of Earth (2019)Dante's Empyrean and the Eye of God (2003)Vertical Readings in Dante's Comedy (2016)
this work references cited by second hop

References

  • 1999The pearly gates of cyberspace: a history of space from Dante to the Internet337 cited
  • 1969La Commedia, secondo l'antica vulgata331 cited
  • 1990Oral poetry: An introduction210 cited
  • 1955The Addresses to the Reader in the "Commedia"46 cited
  • 1997Singing the Book: Orality in the Reception of Dante’s Comedy46 cited
  • 2000Medieval Optics and Theories of Light in the Works of Dante40 cited

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