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Mixed Messages: D.W. Griffith and the Black Press, 1916-1931
16 references·0 citing·29 second hop
Mixed Messages: D.W. Griffith and the Black Press, 1916-1931 (2011)Mixed Messages: D.W. Griffith and the Bla…The Birth of a Nation (2011)The Birth of a NationRace, Politics, and Censorship: D. W. Griffith's The Birth of a Nation in France, 1916-1923 (2010)Race, Politics, and Censorshi…Stagestruck filmmaker: D. W. Griffith and the American theatre (2009)Stagestruck filmmaker: D. W. …Orphans of the storm (2008)Orphans of the stormD. W. Griffith's The birth of a nation: a history of "the most controversial motion picture of all time" (2008)D. W. Griffith's The birth of…Migrating to the movies: cinema and black urban modernity (2005)Migrating to the movies: cine…The Griffith Project (2003)The Griffith ProjectReturning the Gaze: A Genealogy of Black Film Criticism, 1909-1949 (2002)Returning the Gaze: A Genealo…Playing the race card: melodramas of black and white from Uncle Tom to O.J. Simpson (2001)Playing the race card: melodr…Something to think about (2000)Something to think aboutInterpreting Films: Studies in the Historical Reception of American Cinema. (1993)Interpreting Films: Studies i…The Fiery Cross: The Ku Klux Klan in America. (1989)The Fiery Cross: The Ku Klux …D.W. Griffith: An American Life (1984)D.W. Griffith: An American Li…Griffith's “broken blossoms” and the problem of historical specificity (1978)Griffith's “broken blossoms” …Slow Fade to Black: The Negro in American Film, 1900-1942 (1977)Slow Fade to Black: The Negro…The rise of the American film, a critical history (1968)The rise of the American film…Reputation Building and the Film Art World: The Case of Alfred Hitchcock (1989)"White Man's Book No Good": D. W. Griffith and the American Indian (2000)Birth of a Quotation: Woodrow Wilson and “Like Writing History with Lightning” (2010)The need to belong: Desire for interpersonal attachments as a fundamental human motivation. (1995)Relation of threatened egotism to violence and aggression: The dark side of high self-esteem. (1996)ORGANIZATIONS AND MOVEMENTS (2005)The New Hollywood Racelessness: Only the Fast, Furious, (and Multiracial) Will Survive (2005)Humanist Interpretation Versus Coding Text Samples (2014)“Something Wasn’t Clean”: Black Midwifery, Birth, and Postwar Medical Education in All My Babies (2019)The Whiteness of Film Noir (1997)Uncle Tom's Cabin: Before and After the Jim Crow Era (2000)“Cinema at Its Source”: Synchronizing Race and Sound in the Early Talkies (2002)Invisibility, homophobia and heterosexism: Lesbians, gays and the media (1993)National, transnational or supranational cinema? Rethinking European film studies (2005)Show sold separately: promos, spoilers, and other media paratexts (2010)The Strange Case of The Princess and the Frog: Passing and the Elision of Race (2010)From safe spaces to precarious moments: teaching sexuality and violence in the American higher education classroom (2018)Entertainment Wars: Television Culture after 9/11 (2004)Villains, Victims and Heroes: Melodrama, Media, and September 11 (2005)The Cambridge History of the American Novel (2011)Accounting for Emergence and Novelty in Boston and Bay Area Biotechnology* (2006)Cluster Genesis (2006)The Structure of Consensus: Network Ties, Legitimation, and Exit Rates of U.S. Feature Film Producer Organizations (2008)RELOCATING AMERICAN FILM HISTORY (2006)That the Mothers May Soar and the Daughters May Know Their Names: A Retrospective of Black Feminist Literary Criticism (2006)Girls will be boys: cross-dressed women, lesbians, and American cinema, 1908-1934 (2016)Defetishizing the Plantation: African Americans in the Memorialized South (2011)The Birth of a Jungle (2013)Opera in Postwar Venice (2018)
this work references cited by second hop

References

  • 1993Interpreting Films: Studies in the Historical Reception of American Cinema.248 cited
  • 1989The Fiery Cross: The Ku Klux Klan in America.208 cited
  • 2001Playing the race card: melodramas of black and white from Uncle Tom to O.J. Simpson205 cited
  • 1977Slow Fade to Black: The Negro in American Film, 1900-1942204 cited
  • 1968The rise of the American film, a critical history176 cited
  • 2002Returning the Gaze: A Genealogy of Black Film Criticism, 1909-1949140 cited
  • 2005Migrating to the movies: cinema and black urban modernity120 cited
  • 2011The Birth of a Nation96 cited
  • 2008D. W. Griffith's The birth of a nation: a history of "the most controversial motion picture of all time"88 cited
  • 1984D.W. Griffith: An American Life61 cited
  • 1978Griffith's “broken blossoms” and the problem of historical specificity29 cited
  • 2003The Griffith Project17 cited
  • 2009Stagestruck filmmaker: D. W. Griffith and the American theatre13 cited
  • 2000Something to think about13 cited
  • 2010Race, Politics, and Censorship: D. W. Griffith's The Birth of a Nation in France, 1916-192310 cited
  • 2008

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Orphans of the storm
10 cited

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