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The Dual Career of “Arirang”: The Korean Resistance Anthem That Became a Japanese Pop Hit
16 references·2 citing·30 second hop
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References

  • 1983Time and the Other: How Anthropology Makes Its Object6,775 cited
  • 1988The Signifying Monkey: A Theory of African-American Literary Criticism3,044 cited
  • 1984Blues, Ideology, and Afro-American Literature1,062 cited
  • 2004Representing African Music: Postcolonial Notes, Queries, Positions447 cited
  • 2000Shanghai modern: the flowering of a new urban culture in China, 1930-1945358 cited
  • 1997Formations of Colonial Modernity in East Asia352 cited
  • 2001Becoming Japanese344 cited
  • 1993Korea Old and New: A History.339 cited
  • 2001Overcome by modernity: history, culture, and community in interwar Japan337 cited
  • 1998TakarazukaSexual Politics and Popular Culture in Modern Japan297 cited
  • 2014Representing African Music285 cited
  • 2001Yellow Music276 cited
  • 2002Becoming "Japanese": colonial Taiwan and the politics of identity formation248 cited
  • 2000Japan's Total Empire: Manchuria and the Culture of Wartime Imperialism243 cited
  • 2002Blue Nippon: authenticating jazz in Japan241 cited
  • 2001Yellow Music: Media Culture and Colonial Modernity in the Chinese Jazz Age

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224 cited

Cited by

  • 2018Colonial circulations: Japan's classroom songbooks in Korea, 1910–194514 cited
  • 2017Mapping K-Pop Past and Present12 cited