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Contemporary Chinese Calligraphy Between Tradition and Innovation
3 references·2 citing·8 second hop
Contemporary Chinese Calligraphy Between Tradition and Innovation (2013)Contemporary Chinese Calligraphy Between …Inside Out: New Chinese Art (1998)Inside Out: New Chinese ArtArt and artists of twentieth-century China (1997)Art and artists of twentieth-…The meeting of Eastern and Western art from the sixteenth century to the present day (1973)The meeting of Eastern and We…FORMS IN VISUAL TYPES OF MODERN CHINESE CALLIGRAPHY (2022)FORMS IN VISUAL TYPES OF MODE…What is “Chinese Modern Calligraphy”? An Exploration of the Critical Debate on Modern Calligraphy in Contemporary China (2015)What is “Chinese Modern Calli…Framing considerations in the prc: creating value in the contemporary chinese art market (2004)An awful mark: symbolic violence and urban renewal in reform‐era China (2008)The Topology of Contemporary Art (2008)Private Tutorial Art Schools in the Shanghai Market Economy (2009)The Avant-Garde and the Popular in Modern China: Tian Han and the Intersection of Performance and Politics (2014)Yangzhou's “Mondernity”: Fashion and Consumption in the Early Nineteenth Century (2003)The reception of European art in China and Chinese art in Europe from the late sixteenth through the eighteenth century (2016)Locating Hispano-Philippine ivories (2020)
this work references cited by second hop

References

  • 1998Inside Out: New Chinese Art107 cited
  • 1997Art and artists of twentieth-century China33 cited
  • 1973The meeting of Eastern and Western art from the sixteenth century to the present day17 cited

Cited by

  • 2015What is “Chinese Modern Calligraphy”? An Exploration of the Critical Debate on Modern Calligraphy in Contemporary China5 cited
  • 2022FORMS IN VISUAL TYPES OF MODERN CHINESE CALLIGRAPHY5 cited

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