SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
The body behind music: precedents and prospects
16 references·3 citing·31 second hop
The body behind music: precedents and prospects (2006)The body behind music: precedents and pro…an essay towards a new theory of vision (2019)an essay towards a new theory…The Interpersonal World of the Infant (2018)The Interpersonal World of th…Versuch über die wahre Art das Clavier zu spielen (2011)Versuch über die wahre Art da…The Feeling of What Happens: Body and Emotion in the Making of Consciousness (2000)The Feeling of What Happens: …The feeling of what happens: body and emotion in the making of consciousness (2000)The feeling of what happens: …A Cognitive Theory of Musical Meaning (2000)A Cognitive Theory of Musical…The Problem of Prolongation in "Tonal" Music: Terminology, Perception, and Expressive Meaning (1997)The Problem of Prolongation i…Hucbald, Guido, and John on Music: Three Medieval Treatises (1979)Hucbald, Guido, and John on M…How Musical Is Man? (1976)How Musical Is Man?Musical Form and Musical Performance (1971)Musical Form and Musical Perf…Musical Form and Musical Performance (1969)Musical Form and Musical Perf…On Playing the Flute (1966)On Playing the FlutePhilosophy in a New Key (1957)Philosophy in a New KeyEssay on the True Art of Playing Keyboard Instruments (1949)Essay on the True Art of Play…A Treatise on the Fundamental Principles of Violin Playing (1948)A Treatise on the Fundamental…On selective thinking. (1898)On selective thinking.Implementation of a Remote Instrumental Music Course Focused on Creativity, Interaction, and Bodily Movement. Preliminary Insights and Thematic Analysis (2022)Implementation of a Remote In…Empirical Research on Asymmetrical Rhythmsin Scandinavian Folk Music: A Critical Review (2017)Empirical Research on Asymmet…The effect of body movement on listeners’ perceptions of musicality in trombone quartet performance (2013)The effect of body movement o…Women, Fire, and Dangerous Things (1987)Playing with Signs (1991)Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions (1996)"Something in the Way She Moves"-Metaphors of Musical Motion (2003)Normalizing the Abnormal: Disability in Music and Music Theory (2006)Metaphor Wars: Conceptual Metaphors in Human Life (2017)Project for a scientific psychology. (1954)Intentionality (1983)Solving the Emotion Paradox: Categorization and the Experience of Emotion (2006)Philosophical conceptions of the self: implications for cognitive science (2000)Empathy: Its ultimate and proximate bases (2002)Self-referential processing in our brain—A meta-analysis of imaging studies on the self (2006)Musical Performance as Interpretation (1995)Fantasy Pieces (1999)From Policy “Frames” to “Framing” (2014)Innate talents: Reality or myth? (1998)The biology and evolution of music: A comparative perspective (2006)The singing Neanderthals: The origins of music, language, mind, and body (2006)The relation of bilingualism to intelligence. (1962)Poetics and Performances as Critical Perspectives on Language and Social Life (1990)The Strengths Perspective in Social Work Practice: Extensions and Cautions (1996)Understanding and sharing intentions: The origins of cultural cognition (2005)Affective atmospheres (2009)Schubert's Sonata Form and Brahms's First Maturity (II) (1979)The Dramatization of Hypermetric Conflicts in the Scherzo of Beethoven's Ninth Symphony (1992)Texture as a Sign in Classic and Early Romantic Music (1982)Cadential processes: The evaded cadence and the “one more time” technique (1992)“Expressivity comes from within your soul”: A questionnaire study of music students' perspectives on expressivity (2003)The motor theory of speech perception revised (1985)Young Children Do Not Integrate Visual and Haptic Form Information (2008)Eight Problems for the Mirror Neuron Theory of Action Understanding in Monkeys and Humans (2009)
this work references cited by second hop

References

  • 2000The feeling of what happens: body and emotion in the making of consciousness5,997 cited
  • 2018The Interpersonal World of the Infant5,318 cited
  • 2000The Feeling of What Happens: Body and Emotion in the Making of Consciousness3,393 cited
  • 1957Philosophy in a New Key1,163 cited
  • 1976How Musical Is Man?465 cited
  • 2019an essay towards a new theory of vision359 cited
  • 1969Musical Form and Musical Performance314 cited
  • 2000A Cognitive Theory of Musical Meaning254 cited
  • 1949Essay on the True Art of Playing Keyboard Instruments211 cited
  • 1971Musical Form and Musical Performance174 cited
  • 1948A Treatise on the Fundamental Principles of Violin Playing143 cited
  • 1979Hucbald, Guido, and John on Music: Three Medieval Treatises110 cited
  • 1997The Problem of Prolongation in "Tonal" Music: Terminology, Perception, and Expressive Meaning91 cited
  • 1966On Playing the Flute78 cited
  • 2011Versuch über die wahre Art das Clavier zu spielen47 cited
  • 1898On selective thinking.35 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

Cited by

  • 2013The effect of body movement on listeners’ perceptions of musicality in trombone quartet performance23 cited
  • 2022Implementation of a Remote Instrumental Music Course Focused on Creativity, Interaction, and Bodily Movement. Preliminary Insights and Thematic Analysis8 cited
  • 2017Empirical Research on Asymmetrical Rhythmsin Scandinavian Folk Music: A Critical Review6 cited