SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Just before Jazz: Black Musical Theater in New York. 1890-1915
0 references·8 citing·30 second hop
Just before Jazz: Black Musical Theater in New York. 1890-1915 (1990)Just before Jazz: Black Musical Theater i…Stages in Transition (2011)Stages in TransitionAn Opportunity to Rise: Reinterpreting Esther, the Beautiful Queen (2010)An Opportunity to Rise: Reint…Paul Laurence Dunbar and the Marshall Circle: Racial Representation from Blackface to Black Naturalism (2009)Paul Laurence Dunbar and the …Race and Gender in the Broadway Chorus (2007)Race and Gender in the Broadw…The Invisibility and Fame of Harry T. Burleigh: Retrospect and Prospect (2004)The Invisibility and Fame of …Dancing with "Racial Feet": Bert Williams and the Performance of Blackness (2004)Dancing with "Racial Feet": B…"Shoot Myself a Cop": Mamie Smith's "Crazy Blues" as Social Text (2002)"Shoot Myself a Cop": Mamie S…Nineteenth-century popular music (1998)Nineteenth-century popular mu…The Black Image in the White Mind: The Debate on Afro-American Character and Destiny, 1817-1914 (1974)Talkin and Testifyin: The Language of Black America (1977)Black Culture and Black Consciousness: Afro-American Folk Thought from Slavery to Freedom (1978)The Philadelphia Negro: A Social Study (1900)Modernism and the Harlem Renaissance (1987)The Signifying Monkey: A Theory of African-American Literary Criticism (1988)The poet and her songs: analyzing the art songs of Florence B. Price (2018)Visual Pleasure and Narrative Cinema (1975)Vested Interests: Cross-Dressing and Cultural Anxiety (1993)Bodies in dissent: spectacular performances of race and freedom, 1850-1910 (2007)Black Noise: Rap Music and Black Culture in Contemporary America. (1995)Blues legacies and black feminism: Gertrude "Ma" Rainey, Bessie Smith, and Billie Holiday (1998)The Wretched of the Earth (2000)The Practical Politics of Step-Stealing and Textual Poaching (2008)Unmarked: The Politics of Performance (1994)Bodies That Matter (2011)Early black Americans on Broadway (2012)Jokes and their Relation to the Unconscious 1905 (2024)The New Negro (1925)A Life in Ragtime: A Biography of James Reese Europe. (1996)The Power of Black Music: Interpreting its History from Africa to the United States. (1997)“A Long Ways from Home?” Hampton Institute and the Early History of “Sometimes I Feel like a Motherless Child” (2012)The practice of diaspora: literature, translation, and the rise of black internationalism (2003)Conscripts of Modernity (2004)JembeHero: West African Drummers, Global Mobility and Cosmopolitanism as Status (2012)Inalienable performances, mutable heirlooms: Dance, cultural inheritance, and political transformation in the Republic of Guinea (2016)Africa on the British Stage, 1955–1966 (2018)Anatomy of Criticism (1957)Subculture: The Meaning of Style. (1981)Modernity at Large: Cultural Dimensions of Globalization. (1998)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2002"Shoot Myself a Cop": Mamie Smith's "Crazy Blues" as Social Text22 cited
  • 2011Stages in Transition22 cited
  • 2009Paul Laurence Dunbar and the Marshall Circle: Racial Representation from Blackface to Black Naturalism20 cited
  • 1998Nineteenth-century popular music9 cited
  • 2004The Invisibility and Fame of Harry T. Burleigh: Retrospect and Prospect7 cited
  • 2004Dancing with "Racial Feet": Bert Williams and the Performance of Blackness6 cited
  • 2010An Opportunity to Rise: Reinterpreting Esther, the Beautiful Queen2 cited
  • 2007Race and Gender in the Broadway Chorus2 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work