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Cyclic Patterns in John Coltrane's Melodic Vocabulary as Influenced by Nicolas Slonimsky's Thesaurus of Scales and Melodic Patterns: An Analysis of Selected Improvisations
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Cyclic Patterns in John Coltrane's Melodic Vocabulary as Influenced by Nicolas Slonimsky's Thesaurus of Scales and Melodic Patterns: An Analysis of Selected Improvisations (2003)Cyclic Patterns in John Coltrane's Melodi…Weitzmann's Regions, My Cycles, and Douthett's Dancing Cubes (2000)Weitzmann's Regions, My Cycle…John Coltrane: His Life and Music (1998)John Coltrane: His Life and M…Introduction to Neo-Riemannian Theory: A Survey and a Historical Perspective (1998)Introduction to Neo-Riemannia…Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions (1996)Maximally Smooth Cycles, Hexa…The Listening Composer (1990)The Listening ComposerThe Music of Bela Bartok: A Study of Tonality and Progression in Twentieth-Century Music (1986)The Music of Bela Bartok: A S…Interval Cycles in Stravinsky's Early Ballets (1986)Interval Cycles in Stravinsky…Chasin' the Trane. The Music and Mystique of John Coltrane (1977)Chasin' the Trane. The Music …BERG'S MASTER ARRAY OF THE INTERVAL CYCLES (1977)BERG'S MASTER ARRAY OF THE IN…Coltrane: A Biography (1975)Coltrane: A BiographyThesaurus of Scales and Melodic Patterns (1947)Thesaurus of Scales and Melod…The Impact of Improvisation on Creativity: A Fractal Approach (2015)The Impact of Improvisation o…Counterpoint and polyphony in recent instrumental works of John Adams (2007)Counterpoint and polyphony in…Expositions and Developments (1962)Stravinsky, The Composer and His Works (1967)Chernomor to Kashchei: Harmonic Sorcery; Or, Stravinsky's "Angle" (1985)Aligned-Cycle Spaces (2016)Cycles in Webern’s Late Music (2018)Stravinsky and the Russian Traditions (1996)Neo-Riemannian Operations, Parsimonious Trichords, and Their "Tonnetz" Representations (1997)Choral fantasies: music, festivity, and nationhood in nineteenth-century Germany (2013)Transformational Analysis and the Representation of Genius in Film Music (2013)Schubert’s Harmonic Language and Fourier Phase Space (2015)A Myth of the Twentieth Century: The Rite of Spring, the Tradition of the New, and "The Music Itself" (1995)Twentieth-Century Chamber Music (2004)Multi-Aggregate Cycles and Multi-Aggregate Serial Techniques in the Music of Béla Bartók (2007)Aural Archetypes and Cyclic Perspectives in the Work of John Coltrane and Ancient Chinese Music Theory (2001)Pat Martino’s The Nature of the Guitar: An Intersection of Jazz Theory and Neo-Riemannian Theory (2006)Tone rows and tropes (2015)As Wonderful as Star Clusters: Instruments for Gazing at Tonality in Schubert (1999)Uniform Triadic Transformations (2002)Uniformity, Balance, and Smoothness in Atonal Voice Leading (2003)Contextual-Inversion Spaces (2011)New Monastery: Monk and the Jazz Avant-Garde (1999)Music and Ethical Responsibility (2014)Openness to Experience (2014)Twelve-tone theory (2002)A Community of Scholars Investigates Music Listening (2006)Creativity, Play and Listening: An Auditory Re-Conceptualization of Entrepreneurial Creation in the Context of New Public Management (2017)A Cognitive Theory of Musical Meaning (2000)The Geometry of Musical Chords (2006)Action and Agency Revisited (2013)Appropriating Universality: The Coltranes and 1960s Spirituality (2007)How the Grateful Dead Learned to Jam (2023)
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References

  • 1996Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions376 cited
  • 1998Introduction to Neo-Riemannian Theory: A Survey and a Historical Perspective305 cited
  • 1998John Coltrane: His Life and Music151 cited
  • 2000Weitzmann's Regions, My Cycles, and Douthett's Dancing Cubes78 cited
  • 1947Thesaurus of Scales and Melodic Patterns55 cited
  • 1977BERG'S MASTER ARRAY OF THE INTERVAL CYCLES41 cited
  • 1986The Music of Bela Bartok: A Study of Tonality and Progression in Twentieth-Century Music36 cited
  • 1977Chasin' the Trane. The Music and Mystique of John Coltrane33 cited
  • 1990The Listening Composer21 cited
  • 1986Interval Cycles in Stravinsky's Early Ballets12 cited
  • 1975Coltrane: A Biography11 cited

Cited by

  • 2007Counterpoint and polyphony in recent instrumental works of John Adams5 cited
  • 2015The Impact of Improvisation on Creativity: A Fractal Approach3 cited

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