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Visualising 1950s hits on Your Hit Parade
6 references·3 citing·26 second hop
Visualising 1950s hits on Your Hit Parade (1998)Visualising 1950s hits on Your Hit ParadePopular Music and Communication. (1988)Popular Music and Communicati…Film and the Arts in Symbiosis: A Resource Guide (1988)Film and the Arts in Symbiosi…Music, television, and video: Historical and aesthetic considerations (1987)Music, television, and video:…The Rolling stone book of rock video (1984)The Rolling stone book of roc…Music in the Air: America's Changing Tastes in Popular Music, 1920-1980 (1984)Music in the Air: America's C…Inside Prime Time (1983)Inside Prime TimeWhen Latina hips make/mark history: Music video in the “new” American studies (2008)When Latina hips make/mark hi…Look! It's Rock'n'roll! : How television participated in shaping the visual genre conventions of popular music (2007)Look! It's Rock'n'roll! : How…Filling in Holes : Television Music as a Recuperation of Popular Music on Television (2007)Filling in Holes : Television…Dancing in the distraction factory: music television and popular culture (1993)Imperial Eyes: Travel Writing and Transculturation. (1993)Male Subjectivity at the Margins (2017)Look! Hear! The uneasy relationship of music and television (2002)Experiencing Music Video: Aesthetics and Cultural Context (2004)Return from Exile: How Extreme Metal Culture Found Its Niche with Dethklok and Postnetwork TV (2015)Not Just Boys and Rock ’n’ Roll (2016)Performing rites: on the value of popular music (1997)Analysing Musical Multimedia (2001)The Cambridge Companion to Pop and Rock (2001)Moving Lips: Cinema as Ventriloquism (1980)A content analysis of music videos (1985)Violence and Sex in Music Videos: TV and Rock ‘n’ Roll (1986)Making Sense of Music Video: Research During the Inaugural Decade (1992)Music Video as Communication: Popular Formulas and Emerging Genres (1992)Le clip comme forme d’expression musico-visuelle : pour une esthétique de la relation musique-images (2018)Adolescents' uses of media for self-socialization (1995)Understanding sponsorship effects (2001)The role of music in adolescents' mood regulation (2006)Toward an Integrated Theory of White-Collar Crime (1987)The Production of Culture Perspective (2004)Do you identify as a gamer? Gender, race, sexuality, and gamer identity (2011)Spectacular vernacular: Literacy and commercial culture in the postmodern age (1993)Generational differences in musical preferences (1994)American Stravinsky : The Style and Aesthetics of Copland's New American Music, the Early Works, 1921-1938 (2012)The relationship between violent and sexual images and the popularity of music videos (1990)
this work references cited by second hop

References

  • 1983Inside Prime Time478 cited
  • 1988Popular Music and Communication.291 cited
  • 1984Music in the Air: America's Changing Tastes in Popular Music, 1920-198097 cited
  • 1988Film and the Arts in Symbiosis: A Resource Guide31 cited
  • 1984The Rolling stone book of rock video25 cited
  • 1987Music, television, and video: Historical and aesthetic considerations19 cited

Cited by

  • 2007Filling in Holes : Television Music as a Recuperation of Popular Music on Television15 cited
  • 2007Look! It's Rock'n'roll! : How television participated in shaping the visual genre conventions of popular music4 cited
  • 2008When Latina hips make/mark history: Music video in the “new” American studies4 cited

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